The Cambridge Companion to Monteverdi (Cambridge Companions to Music)
معرفی کتاب «The Cambridge Companion to Monteverdi (Cambridge Companions to Music)» نوشتهٔ Besutti, Paola;Bowers, Roger;Carter, Tim;Chew, Geoffrey;Cusick, Suzanne G.;Fenlon, Iain;Kurtzman, Jeffrey;Monteverdi, Claudio;Ossi, Massimo;Pryer, Anthony;Rosand, Ellen;Steinheuer, Joachim;Whenham, John;Wistreich, Richard، منتشرشده توسط نشر Cambridge University Press (Virtual Publishing) در سال 2007. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.
Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles. Claudio Monteverdi Is One Of The Most Important Figures Of 'early' Music, A Composer Whose Music Speaks Powerfully And Directly To Modern Audiences. This Book Provides An Up-to-date And Authoritative Treatment Of Monteverdi And His Music, Complementing Paolo Fabbri's Standard Biography Of The Composer. Written By Leading Specialists In The Field, It Is Aimed At Students, Performers And Music-lovers In General And Adds Significantly To Our Understanding Of Monteverdi's Music, His Life, And The Contexts In Which He Worked. Chapters Offering Overviews Of His Output Of Sacred, Secular And Dramatic Music Are Complemented By 'intermedi', In Which Contributors Examine Individual Works, Or Sections Of Works In Detail. The Book Draws Extensively On Monteverdi's Letters And Includes A Select Discography/videography And A Complete List Of Monteverdi's Works Together With An Index Of First Lines And Titles. Chronology -- Approaching Monteverdi : His Cultures And Ours / Anthony Pryer -- Musical Sources / Tim Carter -- A Model Musical Education : Monteverdi's Early Works -- Intermedio I: 'ecco Mormorar L'onde' (1590) / Geoffrey Chew -- Monteverdi At Mantua, 1590-1612 / Roger Bowers -- Spaces For Music In Late Renaissance Mantua / Paola Besutti -- The Mantuan Madrigals And Scherzi Musicali -- Intermedio I: 'ahi, Come A Un Vago Sol Cortese Giro' (1605) / Massimo Ossi -- Orfeo (1607) / Joachim Steinheuer -- The Mantuan Sacred Music -- Intermedio Iii: 'laetatus Sum' (1610) / Jeffrey Kurtzman -- Music In Monteverdi's Venice / Iain Fenlon -- The Venetian Secular Music -- Intermedio Iv: Lamento Della Ninfa (1638) / Tim Carter -- The Venetian Sacred Music / John Whenham -- Intermedio V: Magnificat Sv 281 (1641) / John Whenham -- Monteverdi's Late Operas / Ellen Rosand -- Intermedio Vi: Il Ritorno D'ulisse (1640), Act V, Scene 10 / Ellen Rosand -- Monteverdi Studies And 'new' Musicologies / Suzanne G. Cusick -- Monteverdi In Performance / Richard Wistreich. Edited By John Whenham And Richard Wistreich. Includes Bibliographical References (p. 280-338) And Index. Includes Discography.
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