The Burgess Shale: The Canadian Writing Landscape of the 1960s (CLC Kreisel Lecture Series)
معرفی کتاب «The Burgess Shale: The Canadian Writing Landscape of the 1960s (CLC Kreisel Lecture Series)» نوشتهٔ Margaret Atwood, Marie Carriere، منتشرشده توسط نشر The University of Alberta Press : Canadian Literature Centre در سال 2017. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.
"Margaret Atwood considers the Canadian literary landscape of the 1960s to be like the Burgess Shale, a geological formation that contains the fossils of many weird and strange early life forms, different from but not unrelated to contemporary writerly ones. The Burgess Shale is not all about writerly pursuits, though. Atwood also gives readers some insight into the fashions and foibles of the times. Her recollections and anecdotes offer a wry and often humorous look at the early days of the institutions taken for granted today--from writers' unions and grant programs to book tours and festivals."-- Provided by publisher "Atwood provides a window into her own early writing days . . . a treasure for readers interested in Canadian literature because this is where it all began." — Prairie Fire Review of Books "The outburst of cultural energy that took place in the 1960s was in part a product of the two decades that came before. It's always difficult for young people to see their own time in perspective: when you're in your teens, a decade earlier feels like ancient history and the present moment seems normal: what exists now is surely what has always existed." In this short work, Margaret Atwood, author of The Handmaid's Tale and "Canada's most famous writer" ( The New Yorker ), compares the Canadian literary landscape of the 1960s to the Burgess Shale, a geological formation that contains the fossils of many strange prehistoric life forms. The Burgess Shale is not entirely about writing itself, however: Atwood also provides some insight into the meager writing infrastructure of that time, taking a lighthearted look at the early days of the institutions we take for granted today—from writers' organizations, prizes, and grant programs to book tours and festivals. "Allows the reader a brief glimpse into the mind of a great writer and her perspective and experience living through what would now seem to many the Stone Age of the Canadian writing scene . . . invaluable and very readable." — Canadian Literature The Burgess Shale is a geological formation discovered in the Canadian Rocky Mountains that contains the fossils of many weird and strange early life forms, different from but not unrelated to later and existing forms. Atwood has named her re-visitation of the Canadian writing landscape of the 1960s after it, somewhat whimsically: that period is already fossilized, in a manner of speaking, and it does contain many weird and strange life forms. The generation of the 1960s was instrumental in creating the writer-related institutions we see around us today, from unions and private grant programs and prizes to book tours and book festivals; they did it, not for fun, but out of perceived need. Indeed, today's Canadian writing landscape would be mostly unrecognizable to those writing in the 1960s. Fans of Margaret Atwood, Canadian Literature enthusiasts, readers, and writers will find this book informative and entertaining. “the Outburst Of Cultural Energy That Took Place In The 1960s Was In Part A Product Of The Two Decades That Came Before. It’s Always Difficult For Young People To See Their Own Time In Perspective: When You’re In Your Teens, A Decade Earlier Feels Like Ancient History And The Present Moment Seems Normal: What Exists Now Is Surely What Has Always Existed.”margaret Atwood Compares The Canadian Literary Landscape Of The 1960s To The Burgess Shale, A Geological Formation That Contains The Fossils Of Many Strange Prehistoric Life Forms. The Burgess Shale Is Not Entirely About Writing Itself, However: Atwood Also Provides Some Insight Into The Meagre Writing Infrastructure Of That Time, Taking A Lighthearted Look At The Early Days Of The Institutions We Take For Granted Today—from Writers’ Organizations, Prizes, And Grant Programs To Book Tours And Festivals. "The outburst of cultural energy that took place in the 1960s was in part a product of the two decades that came before. It's always difficult for young people to see their own time in when you're in your teens, a decade earlier feels like ancient history and the present moment seems what exists now is surely what has always existed." Margaret Atwood compares the Canadian literary landscape of the 1960s to the Burgess Shale, a geological formation that contains the fossils of many strange prehistoric life forms. The Burgess Shale is not entirely about writing itself, Atwood also provides some insight into the meagre writing infrastructure of that time, taking a lighthearted look at the early days of the institutions we take for granted todayfrom writers' organizations, prizes, and grant programs to book tours and festivals. "Margaret Atwood considers the Canadian literary landscape of the 1960s to be like the Burgess Shale, a geological formation that contains the fossils of many weird and strange early life forms, different from but not unrelated to contemporary writerly ones. The Burgess Shale is not all about writerly pursuits, though. Atwood also gives readers some insight into the fashions and foibles of the times. Her recollections and anecdotes offer a wry and often humorous look at the early days of the institutions taken for granted today--from writers' unions and grant programs to book tours and festivals."-- Résumé de l'éditeur Margaret Atwood considers the Canadian literary landscape of the 1960s to be like the Burgess Shale, a geological formation that contains the fossils of many weird and strange early life forms, different from but not unrelated to contemporary writerly ones. The Burgess Shale is not all about writerly pursuits, though. Atwood also gives readers some insight into the fashions and foibles of the times. Her recollections and anecdotes offer a wry and often humorous look at the early days of the institutions taken for granted today - from writers' unions and grant programs to book tours and festivals.
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