The Beatrix gates : plus, The woman who didn't come back ; plus, Trans central station, and much more
معرفی کتاب «The Beatrix gates : plus, The woman who didn't come back ; plus, Trans central station, and much more» نوشتهٔ Pollack, Rachel;، منتشرشده توسط نشر PM Press در سال 2019. این کتاب در 9 صفحه، فرمت epub، زبان انگلیسی ارائه شده است.
A Queer Cult Favorite, The Beatrix Gates Is A Colorful Mix Of Science Fiction, Magic Realism, Memoir, And Myth Exploring Themes Of Spirituality And Transformation. Courage And Cowardice Contend In A Literary Odyssey Unlike Any Other. Written Especially For This Volume, Trans Central Station Is Pollack's Personal And Political Take On The Transgender Experience Then And Now--and Tomorrow? Burning Beard Is A Fiercely Revisionist Bible Tale Of Plague And Prophecy Told Through A Postmodern Prose Of Many Colors. The Woman Who Didn't Come Back Is About Just What It Says. And There Is Of Course Pm Press' Usual And Unusual Outspoken Interview. Winner: Hurston/Wright Legacy Award for Debut Fiction Winner: Independent Publisher Book Award for Multicultural Fiction Winner: New Mexico-Arizona Book Award for Fiction Winner: Prix SGDL Rvlation de Traduction (French edition) Finalist: Eric Hoffer Book Award Finalist: Foreword INDIES Book Award Nominated for an American Book Award "O" The Oprah Magazine: Top 10 Books to Pick Up Now No. 1 pick: 5 Small Press Books to Read, BookRiot, 2016 Uses magical realism, revolutionary politics, and romantic adventure to bring to life a colorful community of squatters in an imaginary Latin American city Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela, the Tower of David. In this fictional version, 600 damnificadosvagabonds and misfitstake over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a rag-tag defensive militia. Their always heroic (and often hilarious) struggle for survival and dignity pits them against corrupt police, the brutal military, and the tyrannical owners. Taking place in an unnamed country at an unspecified time, the novel has elements of magical realism: avenging wolves, biblical floods, massacres involving multilingual ghosts, arrow showers falling to the tune of Beethovens Ninth, and a trash truck acting as a Trojan horse. Rachel Pollack is a sorceress, a wizard with words who spins together the spiritual, the political, and the passionate in her unique, indeed inimitable, tales. An award-winning SF and Fantasy author, she is also an esteemed Tarot Grand Master with devotees and students around the world. A progressive voice in the transgender community and a trusted guide to the ancient traditions of shamanism, she writes of shimmering and dangerous worlds that have never been imagined beforemuch less explored. Her queer cult favorite The Beatrix Gates draws on magic realism, quantum science, memoir, and myth to tell the story of a girl born not in the wrong body but in the wrong universe. Plus Trans Central Station, written especially for this volume, is Pollacks personal and penetrating take on the transgender experience then and nowand tomorrow? Burning Beard is a fiercely revisionist Old Testament tale of plague and prophecy told through a postmodern prose of, shall we say, many colors. The Woman Who Didnt Come Back is about just what it says its about. And Our Outspoken Interview, which tells us all about comics history, the automotive origins of Tarot, the benefits of Nerd celebrity, and why the Sun exists. It will be on the test. Summary:A unique, fictional portrait of feminist radicals that brings the legacy of the '60s and '70s into its portrayal of radical activism in the 21st century Radical activist Luba Gold makes the difficult decision to go underground to support the Puerto Rican independence movement. When Luba's collective is targeted by an FBI sting, she escapes with her baby but leaves behind a sensitive envelope that is being safeguarded by a friend. When the FBI come looking for Luba, the friend must decide whether to cooperate in the search for the woman she loves. Ten years later when Luba emerges from clandestinity, she discovers that the FBI sting was orchestrated by another activist friend who had become an FBI informant. Told from the points of view of five different women who cross paths with Luba over four decades, Clandestine Occupations explores the difficult decisions that activists confront about the boundaries of legality and speculates about the scope of clandestine action in the future. It is a thought-provoking reflection on the risks and sacrifices of political activism as well as the damaging reverberations of disaffection and cynicism A radical activist, Luba Gold, makes the difficult decision to go underground to support the Puerto Rican independence movement. When Luba's collective is targeted by an FBI sting, she escapes with her baby but leaves behind a sensitive envelope that is being safeguarded by a friend. When the FBI come looking for Luba, the friend must decide whether to cooperate in the search for the woman she loves. Ten years later, when Luba emerges from clandestinity, she discovers that the FBI sting was orchestrated by another activist friend who had become an FBI informant. In the changed era of the 1990s, Luba must decide whether to forgive the woman who betrayed her. Told from the points of view of five different women who cross paths with Luba over four decades, Clandestine Occupations explores the difficult decisions that activists confront about the boundaries of legality and speculates about the scope of clandestine action in the future. It is a thought-provoking reflection on the risks and sacrifices of political activism as well as the damaging reverberations of disaffection and cynicism. The title story, "Fire." written especially for this volume, is a harrowing postapocalyptic adventure in a world threated by global conflagration. Based on Hand's real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires. "The Woman Men Couldn't See" is an expansion of Hand's acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as "James Tiptree, Jr." in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, "Beyond Belief" recounts her difficult passage from alienated teen to serious artist. Also included are "Kronia," a poignant time-travel romance, and "The Saffron Gatherers," two of Hand's favorite and less familiar stories. a bibliography and our candid and illuminating Outspoken Interview with one of today's most inventive authors. The title story, Fire. written especially for this volume, is a harrowing postapocalyptic adventure in a world threated by global conflagration. Based on Hand's real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires. The Woman Men Couldn't See is an expansion of Hand's acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as James Tiptree, Jr. in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, Beyond Belief recounts her difficult passage from alienated teen to serious artist. Also included are Kronia, a poignant time-travel romance, and The Saffron Gatherers, two of Hand's favorite and less familiar stories. Plus: a bibliography and our candid and illuminating Outspoken Interview with one of today's most inventive authors Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela, the Tower of David. In this fictional version, six hundred “damnificados”—vagabonds and misfits—take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a rag-tag defensive militia. Their always heroic (and often hilarious) struggle for survival and dignity pits them against corrupt police, the brutal military, and the tyrannical “owners.” Taking place in an unnamed country at an unspecified time, the novel has elements of magical realism: avenging wolves, biblical floods, massacres involving multilingual ghosts, arrow showers falling to the tune of Beethoven's Ninth, and a trash truck acting as a Trojan horse. The ghosts and miracles woven into the narrative are part of a richly imagined world in which the laws of nature are constantly stretched and the past is always present. "The title story, 'Fire' written especially for this volume, is a harrowing postapocalyptic adventure in a world threated by global conflagration. Based on Hand's real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires. 'The woman men didn't see' is an expansion of Hand's acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as 'James Tiptree, Jr.' in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, 'Beyond Belief' recounts her difficult passage from alienated teen to serious artist. Also included are 'Kronia, ' a poignant time-travel romance, and 'The Saffron Gatherers, ' two of Hand's favorite and less familiar stories"--Publisher's website. Infused with feminist, Afro-Caribbean views of the science fiction and fantasy genres, this collection of offbeat and highly original works takes aim at race and racism in literature. In "Report from Planet Midnight," at the International Association of the Fantastic in the Arts, an alien addresses the crowd, evaluating Earth's "strange" customs, including the marginalization of works by nonwhite and female writers. "Message in a Bottle" shows Greg, an American Indian artist, befriending a strange four-year-old who seems wise beyond her years. While preparing an exhibition, he discovers that the young girl is a traveler from the future sent to recover art from the distant past, which apparently includes his own work. Concluding the book with series editor Terry Bisson's Outspoken Interview, Nalo Hopkinson shares laughs, loves, and top-secret Caribbean spells Summary:The Beatrix Gates is a colorful mix of science fiction, magic realism, memoir, and myth exploring themes of spirituality and transformation. Courage and cowardice contend in a literary odyssey unlike any other. Written especially for this volume, "Trans Central Station" is Pollack's personal and political take on the transgender experience then and now--and tomorrow? "Burning Beard" is a fiercely revisionist Bible tale of plague and prophecy told through a postmodern prose of many colors. "The Woman Who Didn't Come Back" is about just what it says. And there is of course PM Press' usual and unusual Outspoken Interview. --Publisher It's 1959 in socialist Virginia. The Deep South is an independent Black nation called Nova Africa. The second Mars expedition is about to touch down on the red planet. And a pregnant scientist is climbing the Blue Ridge in search of her great-great grandfather, a teenage slave who fought with John Brown and Harriet Tubman's guerrilla army. Long unavailable in the U.S., published in France as Nova Africa, Fire on the Mountain is the story of what might have happened if John Brown's raid on Harper's Ferry had succeeded—and the Civil War had been started not by the slave owners but the abolitionists. Presenting an alternative version of African American history, this novel explores what might have happened if John Brown’s 1859 raid on Harper’s Ferry had been successful. Chronicling life in a thriving black nation founded by Brown in the former southeastern United States, this dramatic story opens 100 years later, just as Nova Africa is poised to celebrate its first landing of a spacecraft on Mars. The prosperous black state will soon be tested when the granddaughter of John Brown returns from Africa to reunite with her daughter and share with her a secret that will alter their lives forever. Damnificados Is Loosely Based On The Real-life Occupation Of A Half-completed Skyscraper In Caracas, Venezuela, The Tower Of David. In This Fictional Version, Six Hundred 'damnificados' - Vagabonds And Misfits - Take Over An Abandoned Urban Tower And Set Up A Community Complete With Schools, Stores, Beauty Salons, Bakeries And A Rag-tag Defensive Militia. Their Always Heroic (and Often Hilarious) Struggle For Survival And Dignity Pits Them Against Corrupt Police, The Brutal Military And The Tyrannical 'owners'. "Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela: the Tower of David. In this fictional version, six hundred damnificados--vagabonds and misfits--take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a ragtag defensive militia. And so begins an epic siege..."--Back cover. "Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela: the Tower of David. In this fictional version, six hundred damnificados--vagabonds and misfits--take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a ragtag defensive militia. And so begins an epic siege ..."--Back cover Message In A Bottle -- Report From Planet Midnight -- Shift -- Correcting The Balance Outspoken Interview With Nalo Hopkinson -- Bibliography. Nalo Hopkinson. An Earlier Version Of Message In A Bottle Appeared In Futureways. . . Shift Was Published In The Journal Conjunctions 39: The New Wave Fabulists. . .t.p. Verso. Series Editor : Terry Bisson. Saffron gatherers -- Fire. -- Beyond belief : on becoming a writer -- Kronia -- "Flying squirrels in the rafters" : Outspoken interview with Elizabeth Hand -- The woman men didn't see -- Tom Disch. In a South where the Civil War never happened, a successful slave revolution spawns a socialist utopia, and a Black woman grieves for the loss of her astronaut husband on a mission to Mars
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