هنر ویرایش فیلم: راهنمای ضروری روش‌ها، اصول، فرآیندها و اصطلاحات

Cover; Halftitle; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; READING THIS BOOK; CHAPTER 1 What Is Editing?; TOWARD A DEFINITION OF EDITING AS A BUILDING PROCESS; A BRIEF HISTORY OF MOTION PICTURE EDITING; INTERCUTTING; MONTAGE; FILM EDITORS; MUSIC VIDEOS; THEORY AND SCHOOLS OF EDITING; ONE-SHOT FILMS; TABLEAU STRUCTURE; THE CONTINUITY SYSTEM; MONTAGE; GERMAN EXPRESSIONISM; DOCUMENTARY FILMMAKING; CHAPTER 2 The Language of Editing; ADR; BREAKING AXIS/CROSSING THE LINE/360-DEGREE RULE; COMPOSITE SHOT; COMPRESSION; CONTINUITY; COVERAGE; CUTAWAY; CUT IN/CUT OUT;Learn how to use images and sound to tell a motion picture story. This guide reveals how editing affects a motion picture's pace, rhythm, structure, and story, and spells out exactly what an editor does. The tools, methods, and processes of movie editing in any medium are revealed so that readers working with film, video, or digital equipment can apply the principles to all their work, from studio theatrical releases to short works for the Internet. Chapters cover the full language of editing, from composite shots and flash cuts to dissolves, reverse angles, and more, a well as various schools. Cover Halftitle Title Copyright Dedication Contents Acknowledgements Introduction READING THIS BOOK CHAPTER 1 What Is Editing? TOWARD A DEFINITION OF EDITING AS A BUILDING PROCESS A BRIEF HISTORY OF MOTION PICTURE EDITING INTERCUTTING MONTAGE FILM EDITORS MUSIC VIDEOS THEORY AND SCHOOLS OF EDITING ONE-SHOT FILMS TABLEAU STRUCTURE THE CONTINUITY SYSTEM MONTAGE GERMAN EXPRESSIONISM DOCUMENTARY FILMMAKING CHAPTER 2 The Language of Editing ADR BREAKING AXIS/CROSSING THE LINE/360-DEGREE RULE COMPOSITE SHOT COMPRESSION CONTINUITY COVERAGE CUTAWAY CUT IN/CUT OUT DAILIES (ALSO RUSHES)DIALOGUE DISSOLVE DUBBING FADE IN/FADE OUT FIRST CUT FLASHBACK FLASHFORWARD FLASH CUT (ALSO SHOCK CUT) FREEZE FRAME INSERT INTERCUTTING (ALSO CROSSCUTTING) INTERSCENE STRUCTURE JUMP CUT MATCH CUT MONTAGE NARRATION NONLINEAR EDITING NONLINEAR STORYTELLING OFF SCREEN ON SCREEN OVERLAP OVER-THE-SHOULDER SHOT PARALLEL STORYTELLING (ALSO CROSSCUTTING) PICK-UP SHOT REACTION SHOTS SCENE SELECTED TAKES SEQUENCE SHOCK CUT SHOT/REVERSESHOT SHOT SIZE SPLIT SCREEN SYNCHRONIZATION TAKE TAKE RATIO TEXT TITLES TRIM TRANSITIONS (FORMERLY CALLED OPTICALS)TWO-SCREEN EDITING VERTIGO SHOT WIPE X "YOUR BACK IS TO THE CAMERA" ZOOM SHOT CHAPTER 3 The Editing Process DAILIES PICKING SELECTED TAKES WITH THE DIRECTOR FIRST CUT DIRECTOR'S CUT NEW OPPORTUNITIES FOR THE DIRECTOR'S CUT EDITING METHODS EMPLOYING MULTIPLE CAMERAS IN PHOTOGRAPHING A MOVIE MATCHING THE EDITING CREW, OR THE MAGIC BOX AND THE REVOLVING HAT THE HIERARCHY OF THE CREW THE MAGIC BOX AFTER PICTURE LOCK SOUND EDITING AUTOMATED DIALOGUE REPLACEMENT (ADR) REPRESENTATIONAL AND NONREPRESENTATIONAL SOUND SOUND EDITORS ON SOUND EDITINGCHAPTER 4 The Art of Film Editing RHYTHM PACING TIME AND SPACE SEQUENCING VISUAL STORYTELLING PERFORMANCE ZEN IN THE ART OF MOTION PICTURE EDITING THE IN AND OUT POINT THE MOST DIFFICULT DECISION CHAPTER 5 Great Editors & Editing Relationships ELEVATING THE EDITOR WILLIAM HORNBECK IT'S A WONDERFUL LIFE A PLACE IN THE SUN DEDE ALLEN RELATIONSHIPS WITH DIRECTORS EDITORIAL ACHIEVEMENTS LEGACY DIRECTOR/EDITOR LONG-TERM RELATIONSHIPS DIRECTOR RON HOWARD & EDITORS DAN HANLEY & MIKE HILL DIRECTOR MARTIN SCORSESE & EDITOR THELMA SCHOONMAKER DIRECTOR STEVEN SPIELBERG & EDITOR MICHAEL KAHNCHAPTER 6 Landmark Films in the Art of Motion Picture Editing BREATHLESS THE FRENCH CONNECTION JACOB'S LADDER KOYAANISQATSI POWAQQATSI NAQOYQATSI MAN WITH A MOVIE CAMERA THE WILD BUNCH MR. ARKADIN AKA CONFIDENTIAL REPORT APOCALYPSE NOW ON THE WATERFRONT EASY RIDER KING KONG PSYCHO VERTIGO ANNIE HALL CHAPTER 7 Shot by Shot 2001: A SPACE ODYSSEY "THE BIG CHILL" SEQUENCE "THE NEWS ON THE MARCH" SEQUENCE "ALEX IS ATTACKED BY THE SHARK" SEQUENCE "JOHNNY ROCCO ADDRESSES HIS HOSTAGES" SEQUENCE "THE DITCH-DIGGING" SEQUENCE Everything filmmakers need to understand not only how to edit, but also why certain techniques are used. Learn how to use images and sound to tell a motion picture story. This guide reveals how editing affects a motion picture?s pace, rhythm, structure, and story, and spells out exactly what an editor does. The tools, methods, and processes of movie editing in any medium are revealed so that readers working with film, video, or digital equipment can apply the principles to all their work, from studio theatrical releases to short works for the Internet. Chapters cover the full language of editing, from composite shots and flash cuts to dissolves, reverse angles, and more, a well as various schools of editing thought, including Russian montage, cinema verite, avant-garde cinema, Italian neorealism, and Hollywood continuity. This complete resource blends the practical and philosophical aspects of film editing and includes unique features like a shot-by-shot analysis of landmark films, a detailed glossary of related terms, profiles of ten great editors, and a list of one hundred essential films that demonstrate top-notch editing work Helps you learn how to use images and sound to tell a motion picture story. This guide reveals how editing affects a motion picture's pace, rhythm, structure, and story, and spells out exactly what an editor does. It also reveals the tools, methods, and processes of movie editing so that readers can apply the principles to all their work. Shot-by-shot descriptions of key scenes from groundbreaking films, including The Big Chill, Citizen Kane, Jaws, Key Largo, and more