The Art of Defiance : Dissident Culture and Militant Resistance in 1970s Iran

## Examines how the arts popularised militant resistance to the monarchy in 1970s Iran * Explores how the arts help enhance political ideologies * Examines the dialectics of arts (poetry, fiction, film, songs/soundtracks) and action (militant operations) in 1970s Iran * Develops a theory about how the construction of a popular myth around a political event deploys symbolic discourses and tropes of resistance * Features an array of case studies examining popular poets (Nima Yushij, Ahmad Shamlou, Mehdi Akhavan-Sales, Forough Farrokhzad), writers (Samad Behrangi, Sadeq Chubak, Ali Ashraf Darvishian), filmmakers (Massoud Kimiai, Amir Naderi, Ebrahim Golestan), lyricists (Shahiyar Ghanbari and Iraj Janati Atai) and singers (Farhad Mehrad and Darioush Eqbali) At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah’s dictatorship and the regime’s “Great Civilisation” propaganda. With the emergence of urban guerrilla warfare in 1971 – spearheaded by Marxist People’s Fadai Guerrillas (PFG) – dissident artists created symbolic works that popularised the militants’ ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents. By closely examining and interpreting the poetry, short fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG (and other) militants – who were few in number – were able to acquire a ‘heroic’ dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence. "At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah's dictatorship and the regime's "Great Civilisation" propaganda. With the emergence of urban guerrilla warfare in 1971, dissident artists -- spearheaded by Marxist People's Fadai Guerrillas (PFG) -- created symbolic works that popularised the militants' ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents. By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants -- who were few in number -- were able to acquire a 'heroic' dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence."--Publisher description At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah's dictatorship and the regime's "Great Civilisation" propaganda. With the emergence of urban guerrilla warfare in 1971 - spearheaded by Marxist People's Fadai Guerrillas (PFG) - dissident artists created symbolic works that popularised the militants' ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents. The Art of Defiance narrates the fascinating convergence of dissident poetry, song-writing, short fiction, and films with the idea of resistance and liberation in the 1970s Iran Peyman Vahabzadeh. Includes Bibliographical References (pages 307-324) And Indexes. Electronic Reproduction. Berlin Available Via World Wide Web.