The Art of Art History: A Critical Anthology (Oxford History of Art)

The Art of Art History: A Critical Anthology, 2nd Editon КНИГИ ; КУЛЬТУРА и ИСКУССТВО Название: The Art of Art History: A Critical Anthology, 2nd EditonАвтор: Donald Preziosi Издательство: Oxford University Press, USA Год: 2009-04-15Страниц: 624 ISBN: 0199229848 Формат: PDF Язык: Английский Размер: 6,9 MBДля студентов и преподавателей, художников и историков, и всех кого интересовала эволюция и цель художественной истории, эта антология предлагает много очаровательных интуиций.Скачать.comuploading.com 85 What Is Art History? Why, How And Where Did It Originate, And How Have Its Aims And Methods Changed Over Time? This Work Is A Guide To Understanding Art History Through A Critical Reading Of The Field's Most Influential Texts Over The Past Two Centuries. 1. Art As History -- Lives Of The Painters, Sculptors, And Architects / Giorgio Vasari -- Reflections On The Imitation Of Greek Works In Painting And Sculpture / Johann Joachim Winckelmann -- Winckelmann Divided : Mourning The Death Of Art History / Whitney Davis -- Patterns Of Intention / Michael Baxandall -- 2. Aesthetics -- The Critique Of Judgement / Immanuel Kant -- Philosophy Of Fine Art / Georg Wilhelm Friedrich Hegel -- Impure Mimesis, Or, The Ends Of The Aesthetic / D.n. Rodowick -- Fetish / William Pietz -- 3. Form, Content, Style -- Principles Of Art History / Heinrich Wölfflin -- Style / Ernst Gombrich -- 'form', Nineteenth-century Metaphysics, And The Problem Of Art Historical Description / David Summers -- Style / David Summers -- 4. Anthropology And/as Art History -- Leading Characteristics Of The Late Roman Kunstwollen / Alois Riegl -- Images From The Region Of The Pueblo Indians Of North America / Aby Warburg -- Warburg's Concept Of Kulturwissenschaft And Its Meaning For Aesthetics / Edgar Wind -- Silent Moves : On Excluding The Ethnographic Subject From The Discourse Of Art History / Claire Farago -- 5. Mechanisms Of Meaning -- Iconography And Iconology : An Introduction To The Study Of Renaissance Art / Erwin Panofsky -- Semiotics And Iconography / Hubert Damisch -- Semiotics And Art History : A Discussion Of Context And Senders / Mieke Bal And Norman Bryson -- Meaning/interpretation / Stephen Bann -- 6. Deconstruction And The Limits To Interpretation -- The Temptation Of New Perspectives / Stephen Melville -- The Origin Of The Work Of Art / Martin Heidegger -- The Still Life As A Personal Object : A Note On Heidegger And Van Gogh / Meyer Schapiro -- Restitutions Of The Truth In Pointing [pointure] / Jacques Derrida -- 7. Authorship And Identity -- What Is An Author? / Michel Foucault -- The Discourse Of Others : Feminists And Postmodernism / Craig Owens -- Re-viewing Modernist Criticism / Mary Kelly -- Performative Acts And Gender Constitution : An Essay In Phenomenology And Feminist Theory / Judith Butler -- Postmodern Automatons / Rey Chow -- 'every Man Knows Where And How Beauty Gives Him Pleasure' : Beauty Discourse And The Logic Of Aesthetics / Amelia Jones -- Queer Wallpaper / Jennifer Doyle -- 8. Globalization And Its Discontents -- Orientalism And The Exhibitionary Order / Timothy Mitchell -- The Art Museum As Ritual / Carol Duncan -- The Work Of Art In The Age Of Its Technological Reproducibility / Walter Benjamin -- Can Our Values Be Objective? : On Ethics, Aesthetics And Progressive Politics / Satya P. Mohanty -- Visual Culture Studies : Questions Of History, Theory, And Practice / Marquard Smith -- 'life-like' : Historicizing Process And Responsiveness In Digital Art / María Fernández -- Epilogue : The Art Of Art History / Donald Preziosi -- Plato's Dilemma And The Tasks Of The Art Historian Today. Edited By Donald Preziosi. Previous Ed. Published: 1998. Includes Bibliographical References (p. 510-565) And Index. Contents......Page 6 Introduction......Page 10 Art History: Making the Visible Legible......Page 16 Introduction......Page 22 Lives of the Painters, Sculptors and Architects......Page 31 Reflections on the Imitation of Greek Works in Painting and Sculpture......Page 36 Winckelmann Divided: Mourning the Death of Art History......Page 44 Patterns of Intention......Page 54 Introduction......Page 64 The Critique of Judgement......Page 71 Philosophy of Fine Art......Page 89 Impure Mimesis, or the Ends of the Aesthetic......Page 98 Fetish......Page 118 Introduction......Page 124 Principles of Art History......Page 128 Style......Page 138 'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description......Page 150 Style......Page 153 Introduction......Page 160 Leading Characteristics of the Late Roman Kunstwollen......Page 164 Images from the Region of the Pueblo Indians of North America......Page 171 Warburg's Concept of Kulturwissenschaft and its Meaning for Aesthetics......Page 198 Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History......Page 204 Introduction......Page 224 Iconography and Iconology: An Introduction to the Study of Renaissance Art......Page 229 Semiotics and Iconography......Page 245 Semiotics and Art History: A Discussion of Context and Senders......Page 252 Meaning/Interpretation......Page 265 Introduction......Page 280 The Temptation of New Perspectives......Page 283 The Origin of the Work of Art......Page 293 The Still Life as a Personal Object: A Note on Heidegger and Van Gogh......Page 305 Restitutions of the Truth in Pointing [Pointure]......Page 310 Introduction......Page 326 What is an Author?......Page 330 The Discourse of Others: Feminists and Postmodernism......Page 344 Re-Viewing Modernist Criticism......Page 361 Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory......Page 365 Postmodern Automatons......Page 376 'Every Man Knows Where and How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics......Page 384 Queer Wallpaper......Page 400 Introduction......Page 412 Orientalism and the Exhibitionary Order......Page 418 The Art Museum as Ritual......Page 433 The Work of Art in the Age of its Technological Reproducibility......Page 444 Can Our Values be Objective? On Ethics, Aesthetics, and Progressive Politics......Page 452 Visual Culture Studies: Questions of History, Theory, and Practice......Page 464 'Life-like': Historicizing Process and Responsiveness in Digital Art......Page 477 Epilogue: The Art of Art History......Page 497 Plato's Dilemma and the Tasks of the Art Historian Today......Page 513 Notes......Page 519 List of Texts......Page 573 List of Illustrations......Page 575 Biographical Notes......Page 578 A......Page 581 C......Page 582 E......Page 583 H......Page 584 M......Page 585 S......Page 586 Z......Page 588 A......Page 589 B......Page 590 D......Page 591 F......Page 592 H......Page 593 L......Page 594 M......Page 595 P......Page 596 R......Page 597 S......Page 598 W......Page 599 Z......Page 600 Art as history. Lives of the painters, sculptors, and architects / Giorgio Vasari Reflections on the imitation of Greek works in painting and sculpture / Johann Joachim Winckelmann Winckelmann divided: mourning the death of art history / Whitney Davis Patterns of intention / Michael Baxandall Aesthetics. The critique of judgement / Immanuel Kant Philosophy of fine art / Georg Wilhelm Friedrich Hegel Impure mimesis, or the ends of the aesthetic / D. N. Rodowick Fetish / William Pietz Form, content, style. Principles of art history / Heinrich Wölfflin Style / Ernst Gombrich Form, nineteenth-century metaphysics, and the problem of art historical description / David Summers Style / David Summers Anthropology and/as art history. Leading characteristics of the late Roman Kunstwollen / Alois Riegl Images from the region of the Pueblo Indians of North America / Aby Warburg Warburg's concept of kulturwissenschaft and its meaning for aesthetics / Edgar Wind Silent moves: on excluding the ethnographic subject of discourse of art history / Claire Farago Mechanisms of meaning. Iconography and iconology: an introduction to the study of the renaissance art / Erwin Panofsky Semiotics and iconography / Hubert Damisch Semiotics and art history: a discussion of context and senders / Mieke Bal and Norman Bryson Meaning/interpretation / Stephen Bann None Deconstruction and the limits to interpretation. The temptation of new perspectives / Stephen Melville The origin of the work of art / Martin Heidegger The still life as a personal object: a note on Heidegger and Van Gogh / Meyer Schapiro Restitutions of the truth in pointing [pointure] / Jacques Derrida Authorship and Identity. What is an author? / Michel Foucault The discourse of others: feminists and postmodernism / Craig Owens Re-viewing modernist criticism / Mary Kelly Performative acts and gender constitution: an essay in phenomenology and feminist theory / Judith Butler Postmodern automatons / Rey Chow Every man knows where and how beauty gives him pleasure: beauty discourse and the logic of aesthetics / Amelia Jones Queer wallpaper / Jennifer Doyle Globalization and its discontents. Orientalism and the exhibitionary order / Timothy Mitchell The art museum as ritual / Carol Duncan The work of art in the age of its technological reproducibility / Walter Benjamin Can our values be objective? on ethics, aesthetics and progressive politics / Satya P. Mohanty Visual culture studies: questions of history, theory, and practice / Marquard Smith Life-like: historicizing process and responsiveness in digital art / María Fernández Epilogue: the art of art history / Donald Preziosi Plato's dilemma and the tasks of the art historian today. "What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be." "This anthology is a guide to understanding art history through critical reading of the field's most innovative and influential texts over the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake." "This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today."--Jacket What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field's most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today.