The Art and Rhetoric of the Homeric Catalogue
معرفی کتاب «The Art and Rhetoric of the Homeric Catalogue» نوشتهٔ Benjamin Sammons، منتشرشده توسط نشر IRL Press at Oxford University Press در سال 2010. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
In The Art and Rhetoric of the Homeric Catalogue , Benjamin Sammons takes a fresh look at a familiar element of the Homeric epics -- the poetic catalogue. This study uncovers the great variety of functions fulfilled by the catalogue as a manner of speech within very different contexts, ranging from celebrated examples such as the poet's famous "Catalogue of Ships," to others less commonly treated under this rubric, such as catalogues within the speech and rhetoric of Homer's characters. Sammons shows that catalogue poetry is no ossified or primitive relic of the old tradition, but a living subgenre of poetry that is used by Homer in a creative and original way. He finds that catalogues may be used by the poet or his characters to reflect -- or distort -- the themes of the poem at large, to impose an interpretation on events as they unfold, and possibly to allude to competing poetic traditions or even contemporaneous poems. Throughout, the study focuses on how Homer uses his catalogue to talk about the epic genre itself: to explore the boundaries of the heroic world, the limits of heroic glory, and the ideals and realities of his own traditional role as an epic bard. Building on a renewed interest in the "literary list" in other disciplines, Sammons shows that Homer is not only one of the earliest known practitioners of the poetic catalogue, but one of the subtlest and most skillful. This study takes a fresh look at a familiar element of the Homeric epics—the poetic catalogue. It aims to uncover the great variety of functions fulfilled by catalogue as a manner of speech within very different contexts, ranging from celebrated examples such as the poet’s famous “Catalogue of Ships,” to others less commonly treated under this rubric, such as catalogues within the speech and rhetoric of Homer’s characters or seemingly unassuming catalogues of objects. It shows that catalogue poetry is no ossified or primitive relic of the old tradition, but a living subgenre of poetry that is deployed by Homer in a creative and original way. The catalogue form may be exploited by the poet or his characters to reflect or distort the themes of the poem as a whole, to impose an interpretation on events of the narrative as they unfold, and possibly to allude to competing poetic traditions or even contemporaneous poems. Throughout, the study focuses on how Homer uses the catalogue form to talk about the epic genre itself: As a compendious and venerable poetic form, it allows the poet to explore the boundaries of the heroic world, the limits of heroic glory, and the ideals and realities of his own traditional role as an epic bard "Sammons explodes the casual reader's prejudice against Homeric catalogues as boring bits one can safely skip over. In this subtle, precise, and inventive reading of the wonderfully various ways in which Homeric poetry makes use of the catalogue device, he demonstrates how its epic deployment is a self-conscious, artistically satisfying form of discourse, one that allows the composer to give depth and overtone to important scenes and to highlight character traits. In short, Sammons has managed to construct the first really sophisticated poetics and rhetoric of lists."--Richard Martin, Stanford University Paradigmatic catalogues 1.1 Dione (il. 5.384-404) 1.2 Kalypso (od. 5.118-36) Two catalogues of women 2.1 Zeus's catalogue of lovers (il. 14.315-28) 2.2 The catalogue of the Nekyia (od. 11.235-327) Two catalogues of objects 3.1 Priam's ransom (il. 24.228-37) 3.2 Agamemnon's catalogue of gifts (il. 9.120-57) The iliadic catalogue of ships (il. 2.484-760) Three catalogues of suitors (od. passim). This book takes a fresh look at a familiar element of the Homeric epics -- the poetic catalogue. It shows that in a variety of contexts, Homer uses catalogue poetry not only to develop his themes, but to comment on the ideals and limitations of the epic genre itself. Title Pages Dedication Preface Introduction Two Paradigmatic Catalogues Two Catalogues of Women Two Catalogues of Objects The Iliadic Catalogue of Ships Three Catalogues of Suitors Conclusions Bibliography General Index Index Locorum
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