میلتون حاشیه‌نویسی‌شده: اشعار کامل انگلیسی (کلاسیک‌های بانتام)

Affordable, compact, and authoritative, this one-volume edition of The Annotated Milton encompasses the monumental sweep of John Milton’s poetry. Here are Milton’ s early works, including his first great poem, “On the Morning of Christ’s Nativity,” the light and lyrical “L’Allegro” and “Il Penseroso,” the masque Comus, and the lushly beautiful pastoral elegy “Lycidas.” Here, too, included in their entirety, are the three epic poems considered to be among the finest works in the English language: Paradise Lost, Paradise Regained, and Samson Agonistes. Fully annotated by Burton Raffel, this distinguished edition clarifies the complex allusions of Milton’s verse and references the personal, religious, historical, and mythical influences that inspired the great blind poet of England, who ranks among the undisputed giants of world literature. Cover......Page 1 John Milton......Page 3 CONTENTS......Page 7 Chronology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ix......Page 11 Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiii......Page 15 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xix......Page 21 A PARAPHRASE ON PSALM 114 . . . . . . . . . . . . . . . . . . . . . . . . 1......Page 33 PSALM 136 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2......Page 34 ON THE DEATH OF A FAIR INFANT . . . . . . . . . . . . . . . . . . . . . 5......Page 37 AT A VACATION EXERCISE . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9......Page 41 ON THE MORNING OF CHRIST’S NATIVITY . . . . . . . . . . . . 14......Page 46 THE PASSION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26......Page 58 SONG: ON MAY MORNING . . . . . . . . . . . . . . . . . . . . . . . . . . . 30......Page 62 No. 1 O nightingale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31......Page 63 No. 7 How soon hath time . . . . . . . . . . . . . . . . . . . . . . . . .32......Page 64 No. 8 Captain or colonel . . . . . . . . . . . . . . . . . . . . . . . . . .33......Page 65 No. 9 Lady, that in the prime . . . . . . . . . . . . . . . . . . . . . . .34......Page 66 No. 11 I did but prompt the age . . . . . . . . . . . . . . . . . . . . . 35......Page 67 No. 12 A book was writ, of late . . . . . . . . . . . . . . . . . . . . . 36......Page 68 No. 13 Harry, whose tuneful . . . . . . . . . . . . . . . . . . . . . . . .37......Page 69 No. 14 When faith and love . . . . . . . . . . . . . . . . . . . . . . . . .38......Page 70 No. 15 Fairfax, whose name in arms . . . . . . . . . . . . . . . . . .39......Page 71 No. 17 Vane, young in years . . . . . . . . . . . . . . . . . . . . . . . . 40......Page 72 No. 18 Avenge, O Lord . . . . . . . . . . . . . . . . . . . . . . . . . . . .41......Page 73 No. 19 When I consider . . . . . . . . . . . . . . . . . . . . . . . . . . . 42......Page 74 No. 20 Lawrence, of virtuous father . . . . . . . . . . . . . . . . . .43......Page 75 No. 21 Cyriack! Whose grandsire . . . . . . . . . . . . . . . . . . . .44......Page 76 No. 22 Cyriack, this three years day . . . . . . . . . . . . . . . . . . 45......Page 77 No. 23 Methought I saw . . . . . . . . . . . . . . . . . . . . . . . . . . . 46......Page 78 ON SHAKESPEARE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47......Page 79 ON THE UNIVERSITY CARRIER . . . . . . . . . . . . . . . . . . . . . . . 48......Page 80 ANOTHER ON THE SAME . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49......Page 81 AN EPITAPH ON THE MARCHIONESS OF WINCHESTER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51......Page 83 L’ALLEGRO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54......Page 86 IL PENSEROSO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62......Page 94 ARCADES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70......Page 102 COMUS: A MASQUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76......Page 108 ON TIME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118......Page 150 UPON THE CIRCUMCISION . . . . . . . . . . . . . . . . . . . . . . . . . . 119......Page 151 AT A SOLEMN MUSIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121......Page 153 LYCIDAS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122......Page 154 THE FIFTH ODE OF HORACE, BOOK ONE . . . . . . . . . . . . . 133......Page 165 ON THE NEW FORCERS OF CONSCIENCE . . . . . . . . . . . . . 134......Page 166 #1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136......Page 168 #2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137......Page 169 #3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138......Page 170 #4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139......Page 171 #5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141......Page 173 #6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142......Page 174 #7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143......Page 175 #8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146......Page 178 PARADISE LOST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149......Page 181 Book I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151......Page 183 Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .193......Page 225 Book III . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241......Page 273 Book IV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275......Page 307 Book V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .325......Page 357 Book VI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367......Page 399 Book VII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .409......Page 441 Book VIII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .439......Page 471 Book IX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469......Page 501 Book X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .523......Page 555 Book XI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 575......Page 607 Book XII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 619......Page 651 PARADISE REGAINED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 651......Page 683 Book I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .653......Page 685 Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .675......Page 707 Book III . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 697......Page 729 Book IV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 717......Page 0 SAMSON AGONISTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 745......Page 777

Affordable, compact, and authoritative, this one-volume edition of The Annotated Milton encompasses the monumental sweep of John Milton’s poetry. Here are Milton’ s early works, including his first great poem, “On the Morning of Christ’s Nativity,” the light and lyrical “L’Allegro” and “Il Penseroso,” the masque Comus, and the lushly beautiful pastoral elegy “Lycidas.” Here, too, included in their entirety, are the three epic poems considered to be among the finest works in the English language: Paradise Lost, Paradise Regained, and Samson Agonistes.

Fully annotated by Burton Raffel, this distinguished edition clarifies the complex allusions of Milton’s verse and references the personal, religious, historical, and mythical influences that inspired the great blind poet of England, who ranks among the undisputed giants of world literature.

Affordable, compact, and authoritative, this one-volume edition of The Annotated Milton encompasses the monumental sweep of John Milton's poetry. Here are Milton' s early works, including his first great poem, "On the Morning of Christ's Nativity," the light and lyrical "L'Allegro" and "Il Penseroso," the masque Comus, and the lushly beautiful pastoral elegy "Lycidas." Here, too, included in their entirety, are the three epic poems considered to be among the finest works in the English language: Paradise Lost, Paradise Regained, and Samson Agonistes.Fully annotated by Burton Raffel, this distinguished edition clarifies the complex allusions of Milton's verse and references the personal, religious, historical, and mythical influences that inspired the great blind poet of England, who ranks among the undisputed giants of world literature.From the Paperback edition. Presents the complete English poems of seventeenth-century poet John Milton, including "Paradise Lost," and includes annotations, a chronology, and brief biographical information about Milton An anthology of John Milton's verse, including "Lycidas," "Paradise Lost," "Paradise Regained," and "Samson Agonistes," includes information on the poet's vocabulary and meaning