وبلاگ بلیان

The American philosopher : conversations with Quine, Davidson, Putnam, Nozick, Danto, Rorty, Cavell, MacIntyre, and Kuhn

معرفی کتاب «The American philosopher : conversations with Quine, Davidson, Putnam, Nozick, Danto, Rorty, Cavell, MacIntyre, and Kuhn» نوشتهٔ Giovanna Borradori; translated by Rosanna Crocitto، منتشرشده توسط نشر University of Chicago Press در سال 1994. این کتاب در فرمت djvu، زبان انگلیسی ارائه شده است.

Annotation In this lively look at current debates in American philosophy, leading philosophers talk candidly about the changing character of their discipline. In the spirit of Emerson's The American Scholar, this book explores the identity of the American philosopher. Through informal conversations, the participants discuss the rise of post-analytic philosophy in America and its relations to European thought and to the American pragmatist tradition. They comment on their own intellectual development as well as each others' work, charting the course of American philosophy over the past few decades. Giovanna Borradori, in her substantial introduction, explains the history of the analytic movement in America and the home-grown reaction against it. In the late nineteenth and early twentieth centuries, American philosophy was a socially engaged interdisciplinary enterprise. In transcendentalism and pragmatism, then the dominant currents in American thought, philosophy was connected to history, psychology, and public issues. But in the 1930s, the imported European movement of logical positivism redefined philosophical discourse in terms of mathematical logic and theory of language. Under the influence of this analytic view, American philosophy became a professionalized discipline, divorced from public debate and intellectual history and antagonistic to the other, more humanistic tradition of continental thought. The American Philosopher explores the opposition between analytic and continental thought and shows how recent American work has begun to bridge the gap between the two traditions. Through a reexamination of pragmatism, and through an attempt to understand philosophy in a more hermeneutical way, the participants narrow the distance between America's distinctly scientific philosophy and Europe's more literary approach. Moving beyond classical analytic philosophy, the participants confront each other on a number of topics. The logico-linguistic orientations of Quine and Davidson come up against the more discursive, interdisciplinary agendas of Rorty, Putnam, and Cavell. Nozick's theory of pluralist anarchism goes face-to-face with the aesthetic neo-foundationalism of Danto. And Kuhn's hypothesis of paradigm shifts is measured against MacIntyre's ethics of "virtues." Borradori's conversations offer an unconventional portrait of the way philosophers think about their work; scholars and students will not be its only beneficiaries, so will everyone who wonders about the current state of American philosophy

In this lively look at current debates in American philosophy, leading philosophers talk candidly about the changing character of their discipline. In the spirit of Emerson's The American Scholar, this book explores the identity of the American philosopher. Through informal conversations, the participants discuss the rise of post-analytic philosophy in America and its relations to European thought and to the American pragmatist tradition. They comment on their own intellectual development as well as each others' work, charting the course of American philosophy over the past few decades.

Giovanna Borradori, in her substantial introduction, explains the history of the analytic movement in America and the home-grown reaction against it. In the late nineteenth and early twentieth centuries, American philosophy was a socially engaged interdisciplinary enterprise. In transcendentalism and pragmatism, then the dominant currents in American thought, philosophy was connected to history, psychology, and public issues. But in the 1930s, the imported European movement of logical positivism redefined philosophical discourse in terms of mathematical logic and theory of language. Under the influence of this analytic view, American philosophy became a professionalized discipline, divorced from public debate and intellectual history and antagonistic to the other, more humanistic tradition of continental thought.

The American Philosopher explores the opposition between analytic and continental thought and shows how recent American work has begun to bridge the gap between the two traditions. Through a reexamination of pragmatism, and through an attempt to understand philosophy in a more hermeneutical way, the participants narrow the distance between America's distinctly scientific philosophy and Europe's more literary approach.

Moving beyond classical analytic philosophy, the participants confront each other on a number of topics. The logico-linguistic orientations of Quine and Davidson come up against the more discursive, interdisciplinary agendas of Rorty, Putnam, and Cavell. Nozick's theory of pluralist anarchism goes face-to-face with the aesthetic neo-foundationalism of Danto. And Kuhn's hypothesis of paradigm shifts is measured against MacIntyre's ethics of virtues.

Borradori's conversations offer an unconventional portrait of the way philosophers think about their work; scholars and students will not be its only beneficiaries, so will everyone who wonders about the current state of American philosophy.

For the Love of It is a story not only of one intimate struggle between a man and his cello, but also of the larger struggle between a society obsessed with success and individuals who choose challenging hobbies that yield no payoff except the love of it. "If, in truth, Booth is an amateur player now in his fifth decade of amateuring, he is certainly not an amateur thinker about music and culture. . . . Would that all of us who think and teach and care about music could be so practical and profound at the same time."—Peter Kountz, New York Times Book Review "[T]his book serves as a running commentary on the nature and depth of this love, and all the connections it has formed in his life. . . . The music, he concludes, has become part of him, and that is worth the price."—Clea Simon, Boston Globe "The book will be read with delight by every well-meaning amateur who has ever struggled. . . . Even general readers will come away with a valuable lesson for living: Never mind the outcome of a possibly vain pursuit; in the passion that is expended lies the glory."—John von Rhein, Chicago Tribune "Hooray for amateurs! And huzzahs to Wayne Booth for honoring them as they deserve. For the Love of It celebrates amateurism with genial philosophizing and pointed cultural criticism, as well as with personal reminiscences and self-effacing wit."—James Sloan Allen, USA Today "Wayne Booth, the prominent American literary critic, has written the only sustained study of the interior experience of musical amateurism in recent years, For the Love of It. [It] succeeds as a meditation on the tension between the centrality of music in Booth's life, both inner and social, and its marginality. . . . It causes the reader to acknowledge the heterogeneity of the pleasures involved in making music; the satisfaction in playing well, the pride one takes in learning a difficult piece or passage or technique, the buzz in one's fingertips and the sense of completeness with the bow when the turn is done just right, the pleasure of playing with others, the comfort of a shared society, the joy of not just hearing, but making, the music, the wonder at the notes lingering in the air."—Times Literary Supplement The Library Journal review shown above under Editorial Reviews gets it exactly right. The author interviewed the American philosophers listed, the only question is why. Rather than try to provide an explication or exploration of their work, she took her task to be to push her own philosophical/political agenda, and with all the subtlety of a pile driver. At times, the bulldozing approaches self-parody. She didn't quite say, "Enough about my ideas about philosophy, what do YOU think about my ideas about philosophy?" Comes close, though.We are given no clue as to how these interviews were edited, or whether the people interviewed had a chance to see the results. The book is a translation from the Italian, which I guess means that the original inteviews were translated into Italian for the original, Italian version of the book, then translated back into English. Can that be true? Who knows. In any case, the translation is of mediocre quality. Is 'depravation' supposed to mean 'deprivation' or 'depravity'? Again, who knows.Borradori doesn't like positivism, analytical philosophy, foundations, or systems. She likes Foucault and Heidegger, "proliferation and plurality," "hermeneutic spirals," and "humanistic solidarity." The progress of American philosophy can be measured by how far it comes to incorporate what she likes. Film at eleven. If you want to see how it's supposed to be done, take a look at any of Bryan Magee's books, based on his probing, richly informative interviews of leading philosophers, done for the BBC. Or, for a non-interview format, see John Passmore's summaries of the work of recent major philosophers. This book is not remotely in that league. The American Philosopher explores the opposition between analytic and continental thought and shows how recent American work has begun to bridge the gap between the two traditions. Through a reexamination of pragmatism, and through an attempt to understand philosophy in a more hermeneutical way, the participants narrow the distance between America's distinctly scientific philosophy and Europe's more literary approach. Borradori's conversations offer an unconventional portrait of the way philosophers think about their work scholars and students will not be its only beneficiaries, so will everyone who wonders about the current state of American philosophy. -- Back cover CONTENTS......Page 8 Preface to the English Edition......Page 10 Preface......Page 12 The Atlantic Wall......Page 14 1 Twentieth-Century Logic: Willard Van Orman Quine......Page 40 2 Post-Analytic Visions: Donald Davidson......Page 53 3 Between the New Left and Judaism: Hilary Putnam......Page 68 4 Anarchy at Harvard: Robert Nozick......Page 83 5 The Cosmopolitan Alphabet of Art: Arthur C. Danto......Page 99 6 After Philosophy, Democracy: Richard Rorty......Page 116 7 An Apology for Skepticism: Stanley Cavell......Page 131 8 Nietzsche or Aristotle?: Alasdair MacIntyre......Page 150 9 Paradigms of Scientific Evolution: Thomas S. Kuhn......Page 166 Index......Page 182 "For the Love of It is the story not only of the intimate struggle between Wayne Booth and his cello but also of the larger struggle between a society obsessed with success and payoff and individuals who choose challenging hobbies that yield no payoff except the love of it. This fundamental opposition leads Booth into diverse meditations on how amateuring relates to all other loves and pleasures. In his celebration of how the amateur's laboring can blossom, he thus joins a long line of thinkers who have puzzled over the meanings of "fun," "work," and "love.""--Jacket Explores the identity of the American philosopher. Through informal conversations, leading philosophers discuss the rise of post-analytic philosophy in America and its relations to European thought and to the American pragmatist tradition. Giovanna Borradori ; Translated By Rosanna Crocitto. Includes Bibliographical References And Index.
دانلود کتاب The American philosopher : conversations with Quine, Davidson, Putnam, Nozick, Danto, Rorty, Cavell, MacIntyre, and Kuhn