The age of irreverence : a new history of laughter in China The age of irreverence : a new history of laughter in China

__The Age of Irreverence__tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called “histories of laughter.” In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called__youmo__(humor).Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first “age of irreverence.” This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture. The Age Of Irreverence Tells The Story Of Why China's Entry Into The Modern Age Was Not Just Traumatic, But Uproarious. As The Qing Dynasty Slumped Toward Extinction, Prominent Writers Compiled Jokes Into Collections They Called Histories Of Laughter. During The First Years Of The Republic, Novelists, Essayists And Illustrators Used Humorous Allegories To Make Veiled Critiques Of The New Government. But Political And Cultural Discussion Repeatedly Erupted Into Invective, As Critics Jeered And Derided Rivals In Public. Farceurs Drew Followings In The Popular Press, Promoting A Culture Of Practical Joking And Buffoonery. Eventually, These Various Expressions Of Hilarity Proved So Offensive To High-brow Writers That They Launched A Campaign To Transform The Tone Of Public Discourse, Hoping To Displace The Old Forms Of Mirth With A New One They Called Youmo (humor). Christopher Rea Argues That This Era--from The 1890s Up To The 1930s--transformed How Chinese People Thought And Talked About What Is Funny. Focusing On Five Cultural Expressions Of Laughter--jokes, Play, Mockery, Farce, And Humor--he Reveals The Textures Of Comedy That Were A Part Of Everyday Life During Modern China's First Age Of Irreverence. This New History Offers An Unprecedented And Up-close Look At A Neglected Facet Of Chinese Cultural Modernity, And Discusses Its Legacy In The Language And Styles Of Chinese Humor Today.--provided By Publisher. Breaking Into Laughter -- Jokes -- Play -- Mockery -- Farce -- The Invention Of Humor. Christopher Rea. Includes Glossary Of Chinese Names And Terms. Includes Bibliographical References And Index. The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called “histories of laughter.” In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first “age of irreverence.” This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.