فناوری و پژوهش فیلم: تجربه، مطالعه، نظریه (نظریه فیلم در تاریخ رسانه)

This Volume Brings Together A Wide Range Of Research On The Ways In Which Technological Innovations Have Established New And Changing Conditions For The Experience, Study And Theorization Of Film. Drawn From The Impact Film Conference (the Impact Of Technological Innovations On The Historiography And Theory Of Cinema) Held In Montreal In 2011, The Book Includes Contributions From Such Leading Figures In The Field As Tom Gunning, Charles Musser, Jan Olsson And Vinzenz Hediger. Machine Generated Contents Note: Section I Experience -- 1. When Did Cinema Become Cinema? Technology, History, And The Moving Pictures / Charles Musser -- 2. Exhibition Practices In Transition: Spectators, Audiences, And Projectors / Jan Olsson -- 3. Reel Changes: Post-mortem Cinephilia Or The Resistance Of Melancholia / Andre Habib -- 4. Walter Benjamin's Play Room: Where The Future So Eloquently Nests, Or: What Is Cinema Again? / Dana Cooley -- Section Ii Study -- 5. Hitchcock, Film Studies, And New Media: The Impact Of Technology On The Analysis Of Film / David Colangelo -- 6. Film Analysis And Statistics: A Field Report / Charles O'brien -- 7. A `distant Reading' Of The `chaser Theory': Local Views And The Digital Generation Of New Cinema History / Paul Moore -- Section Iii Theory -- 8. Cine-graphism: A New Approach To The Evolution Of Film Language Through Technology / Tom Gunning -- 9. Can We Have The Cave And Leave It Too? On The Meaning Of Cinema As Technology / Vinzenz Hediger -- 10. On Viewfinders, Video Assist Systems, And Tape Splicers: Questioning The History Of Techniques And Technology In Cinema / Benoit Turquety. Edited By Santiago Hidalgo ; Foreword By André Gaudreault. Includes Index. Contents Acknowledgments Foreword Introduction Section I: Experience 1. When Did Cinema Become Cinema? Technology, History, And The Moving Pictures 2. Exhibition Practices In Transition: Spectators, Audiences, And Projectors 3. Reel Changes: Post-Mortem Cinephilia Or The Resistance Of Melancholia 4. Walter Benjamin’S Play Room: Where The Future So Eloquently Nests , Or: What Is Cinema Again? Section II: Study 5. Hitchcock, Film Studies, And New Media : The Impact Of Technology On The Analysis Of Film 6. Film Analysis And Statistics: A Field Report 7. A ‘Distant Reading’ Of The ‘Chaser Theory’ : Local Views And The Digital Generation Of New Cinema History Section III: Theory 8. Cine-Graphism : A New Approach To The Evolution Of Film Language Through Technology 9. Can We Have The Cave And Leave It Too? On The Meaning Of Cinema As Technology 10. On Viewfinders, Video Assist Systems, And Tape Splicers : Questioning The History Of Techniques And Technology In Cinema Index This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline.

Exhaustive compendium by one of the world's foremost experts on the Swedish master covers Bergman's life, his cultural background, his entire artistic career and extensive annotated bibliographies of interviews and critical writings on Bergman.