تکنیک‌های استفاده از لعاب‌ها (کتاب‌های راهنمای سرامیک)

Overview: Slip, a form of liquid clay, has been used since ancient times to add color and texture to ceramics. This method of clay decoration, practiced from Rome to Mesoamerica, continues to develop internationally. Slips allow ceramicists to give their works rich, intriguing surfaces in a range of hues. In Techniques Using Slips, expert potter John Mathieson explains how to formulate and apply slips successfully to embellish earthenware, stoneware, and porcelain. Techniques Using Slips gives step-by-step lessons on working with slips alone or with glaze using a range of firing methods. Beginning with a brief history of decorative slips over the millennia, this handbook guides readers through basic slip mixing and application methods, including sponging, marbling, stenciling, trailing, sgraffito, and inlay. Mathieson and forty of the world's best ceramic artists open their studios as they complete inspiring projects, revealing everything from the clays they use and englobe recipes to firing temperatures. Their artwork and techniques come to life in dozens of full-color photographs. In addition to creative approaches, Techniques Using Slips covers practical aspects of slip work, including equipment recommendations, supplier contact information, and important safety guidelines. With more than 170 illustrations and clear, encouraging instruction, Techniques Using Slips is a must for any potter's library. Ceramic artists and educators will turn to this handbook again and again for direction and insight. Cover......Page 1 Contents......Page 6 Acknowledgements......Page 7 Introduction......Page 8 1. A Selected History of Using Slips......Page 10 2. Application Techniques......Page 16 3. Mixing Slips......Page 24 4. Colour in Slips......Page 28 Artists’ Approaches......Page 30 5. Using Slips Without a Glaze......Page 32 Jenny Mendes......Page 33 Lynda Harris......Page 35 John Maltby......Page 37 David Cooke......Page 39 Alice Ballard......Page 41 Roger Dalrymple......Page 44 Jude Jelfs......Page 45 Rob Burgess at Workbridge......Page 47 Ellen Rijsdorp......Page 49 Sasha Wardell......Page 51 6. Slips and Raku......Page 54 Tim Andrews......Page 55 Steven Branfman......Page 57 Ashraf Hanna......Page 59 7. Slips with Glaze at Earthenware Temperatures......Page 62 Richard Phethean......Page 63 James Bassett......Page 68 Jennifer Hall......Page 71 Ross Emerson......Page 73 Dylan Bowen......Page 76 Françoise Dufayard......Page 78 Ron Philbeck......Page 80 Graham Hudson......Page 83 Douglas Fitch......Page 85 Michael Eden......Page 87 Niek Hoogland......Page 89 John Pollex......Page 93 Clive Bowen......Page 95 Paul Young......Page 99 8. Slips with Stoneware and Porcelain......Page 104 Yo Thom......Page 105 Jim Malone......Page 108 Motoko Wakana......Page 111 Fritz Rossmann......Page 113 Megan Collins......Page 115 Rachel Wood......Page 116 Roger Cockram......Page 119 Mike Dodd......Page 120 Rebecca Harvey......Page 122 John Mathieson......Page 124 9. Slips with Salt and Soda Glazing......Page 128 John & Jude Jelfs......Page 129 Reuben Batterham......Page 131 Mirka Golden-Hann......Page 133 Glossary......Page 137 Health & Safety......Page 138 Websites......Page 139 Bibliography......Page 140 Suppliers......Page 142 Index......Page 144 Acknowledgments Introduction Selected History Of Using Slips Application Techniques Mixing Slips Colour In Slips Artists' Approaches Using Slips Without A Glaze Jenny Mendes Lynda Harris John Maltby David Cooke Alice Ballard Roger Dalrymple Jude Jelfs Rob Burgess at workbridge Ellen Rijsdorp Sasha Wardell Slips And Raku Tim Andrews Steven Branfman Ashraf Hanna Slips With Glaze At Earthenware Temperatures Richard Phethean James Bassett Jennifer Hall Ross Emerson Dylan Bowen Francoise Dufayard Ron Philbeck Graham Hudson Douglas Fitch Michael Eden Niek Hoogland John Pollex Clive Bowen Paul Young Slips With Stoneware And Porcelain Yo Thom Jim Malone Motoko Wakana Fritz Rossmann Megan Collins Rachel Wood Roger Cockram Mike Dodd Rebecca Harvey John Mathieson Slips With Salt And Soda Glazing John & Jude Jelfs Reuben Batterham Mirka Golden-Hann Glossary Health & Safety Websites Bibliography Suppliers Index. Slip is a form of coloured liquid clay which can be used for decorationon its own or covered with glaze at a later firing. Slip is an ancientconcept and was used on Roman and Greek vases. There are manytechniques in regard to using slips such as sponging, marbling,brushing on, using stencils, trailing, sgraffito and inlay amongstothers, and this book will cover them all using contemporary potterswork as illustrations. It will explain how to make up slips andengobes, as well as ways of using them at higher temperatures and withglazes. The book is illustrated with working potters in actionand many images of finished pieces. Slip is a form of coloured liquid clay which can be used for decoration on its own or covered with glaze at a later firing. Slip is an ancient concept and was used on Roman and Greek vases. There are many techniques in regard to using slips such as sponging, marbling, brushing on, using stencils, trailing, sgraffito and inlay amongst others, and this book will cover them all using contemporary potters work as illustrations. It will explain how to make up slips and engobes, as well as ways of using them at higher temperatures and with glazes. The book is illustrated with working potters in acti This book looks at the contemporary use of slip as a decoration, such as sponging, marbling, brushing on, using stencils, trailing, sgraffito and inlay amongst others. It looks at a wide selection of contemporary potters in order to both illustrate methods and inspire the reader.