Taoism and the arts of China : [publ. in conjunction with the Exhibition "Taoism and the Arts of China", organized by the Art Institute of Chicago and presented in the museum's Regenstein Hall from November 4, 2000, to January 7, 2001 ; the exhibition was

Taoism and the Arts of China brings together a remarkable collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (fifth-third century b.c.) to the Qing dynasty (1644-1911). Many of these works are paintings that show the breathtaking range of style and subject that makes the Taoist heritage so rich. Sculpture, calligraphy, rare books, textiles, and ritual objects are also represented. Like the exhibition, the book is organized thematically. It begins with the sage Laozi (to whom the Daode Jing is attributed), and moves on to explore the birth of religious Taoism and the interaction between Taoism, Buddhism, and Confucianism. A wealth of subjects are covered: the gods of the Taoist pantheon, ritual, the boundaries and intersections between Taoism and popular religion, Taoist Immortals and Realized Beings, the role of alchemy, sacred landscape and its significance, and Taoist temples and their architecture. Taoism and the Arts of China includes an engaging series of introductory essays by scholars with a deep understanding of their subjects. Among the topics discussed are a historical introduction to Taoism, archaeological evidence for early Taoist art, and a general introduction to the functions of art in religious Taoism. Lavishly illustrated with over 150 color images, this volume affords a sweeping view of an artistic terrain that until now has received too little exposure in the West. Its publication constitutes a major advance in Western understanding of this important tradition. "Taoism and the Arts of China brings together a collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (5th-3rd century B.C.) to the Qing dynasty (1644-1911). Many of these works are paintings that show the breathtaking range of style and subject that makes the Taoist heritage so rich. Sculpture, calligraphy, rare books, textiles, and ritual objects are also represented.". "Like the exhibition, the book is organized thematically. It begins with the sage Laozi, and moves on to explore the birth of religious Taoism and the interaction between Taoism, Buddhism, and Confucianism. A wealth of subjects is covered: the gods of the Taoist pantheon, ritual, the boundaries and intersections between Taoism and popular religion, Taoist immortals and realized beings, the role of alchemy, sacred landscape and its significance, and Taoist temples and their architecture.". "Taoism and the Arts of China includes a series of introductory essays by scholars with a deep understanding of their subjects. Among the topics are a historical introduction to Taoism, archaeological evidence for early Taoist art, and a general introduction to the functions of art in religous Taoism. Illustrated with over 230 color images, this volume affords a sweeping view of an artisitic terrain that until now has received too little exposure in the West. Its publication constitutes a major advance in Western understanding of this important tradition."--BOOK JACKET. "Taoism and the Arts of China brings together a collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (5th-3rd century B.C.) to the Qing dynasty (1644-1911). Many of these works are paintings that show the breathtaking range of style and subject that makes the Taoist heritage so rich. Sculpture, calligraphy, rare books, textiles, and ritual objects are also represented." "Like the exhibition, the book is organized thematically. It begins with the sage Laozi, and moves on to explore the birth of religious Taoism and the interaction between Taoism, Buddhism, and Confucianism. A wealth of subjects is covered: the gods of the Taoist pantheon, ritual, the boundaries and intersections between Taoism and popular religion, Taoist immortals and realized beings, the role of alchemy, sacred landscape and its significance, and Taoist temples and their architecture." "Taoism and the Arts of China includes a series of introductory essays by scholars with a deep understanding of their subjects. Among the topics are a historical introduction to Taoism, archaeological evidence for early Taoist art, and a general introduction to the functions of art in religious Taoism. Illustrated with over 230 color images, this volume affords a sweeping view of an artistic terrain that until now has received too little exposure in the West. Its publication constitutes a major advance in Western understanding of this important tradition."--Jacket __Taoism and the Arts of China__Like the exhibition, the book is organized thematically. It begins with the sage Laozi (to whom the Daode Jing is attributed), and moves on to explore the birth of religious Taoism and the interaction between Taoism, Buddhism, and Confucianism. A wealth of subjects are covered: the gods of the Taoist pantheon, ritual, the boundaries and intersections between Taoism and popular religion, Taoist Immortals and Realized Beings, the role of alchemy, sacred landscape and its significance, and Taoist temples and their architecture.__Taoism and the Arts of China__ Produced to accompany the exhibition "Taoism and the Arts of China" at the Art Institute of Chicago, this work gathers together over 150 works of art ranging from the late Zhou dynasty (5th-3rd century BC), to the Qing dynasty (1644-1911).