Studying Contemporary American Film : A Guide to Movie Analysis

Against the background of rising temperatures and shorter tempers among film theorists, 'Studying Contemporary American Film' sets out to pour oil on troubled waters. Between classical models of film interpretation and analysis (auteurist, structuralist, psychosemiotic) and the current plethora of contending paradigms (cognitivist, Deleuzian, post-feminists, deconstructivist and hypertextual) it treads a delicate, but determined path. The authors accept that film analysis is a matter of being wise after the fact, and being aware of open or hidden agendas. In order to be clear and consistent, you don't have to be dogmatic; being able to recognize the strengths and weaknesses of certain critical positions doesn't mean that 'everything goes'. Although centered on close analysis of nine mainstream movies, this is not just another collection of essays on the authors' favorite films. The distinction classical and post-classical narrative, the Hollywood/Europe divide, the co-existence of linear narrative and videogame logic, and the differences between ontological realism and digital realism are all lucidly laid out and practically demonstrated. Highlights - to this reader at least - are the chapters on Die Hard, Lost Highway, The Fifth Element and Silence of the Lambs. The general movie buff may think the bullet points and numbered sub-headings rather too prescriptive; however, the authors tone is for the most part refreshingly dead-pan and descriptive, and students may be grateful for the many useful hints of how to ask the right questions and structure their papers accordingly. This is a guide in the best tradition of 'Teach Yourself Film Studies', of which 'Studying Contemporary American Film' could be seen as a welcome sequel. "How should the student set about analysing contemporary American cinema? This book takes an innovative approach to film analysis: each chapter examines the assumptions behind one traditional theory of film, distils a method of analysis from it, and then analyses a contemporary American movie. It then goes beyond the traditional theory by analysing the same movie using a more current theory and method. Traditional theories featured include mise en scene criticism, auteurism, structural analysis, narratology, studies of realism, psychoanalysis, and feminism. More current theories include new and post-Lacanian approaches to subjectivity, cognitivism, computerised statistical style analysis, the philosophy of modal logic, new media theory, and deconstruction. Films analysed include Chinatown, Die Hard, The Silence of the Lambs, Jurassic Park, The Lost World, Back to the Future, Lost Highway, plus two European imitations of American filmmaking, The English Patient and The Fifth Element. All students of film and popular culture will find this book ideal preparation for writing clear, well-structured, detailed analysis of their favourite American movies."--Jacket

This text presents the most appropriate theories and methods for analyzing contemporary America cinema. Using an innovative approach to writing about individual movies, each of the main chapters examines the assumptions behind one traditional theory of film (e.g. auteurism, narratology, psychoanalysis), distills a method of analysis from it, and then analyzes a contemporary American movie. The text then goes beyond traditional theory by analyzing the same movie using a more current theory and method (e.g. new media theory, deconstruction, cognitivism).

What are the most appropriate theories & methods for analysing contemporary American cinema? This book examines the assumptions behind a traditional theory of film, distilling a method of analysis from it, then analysing a contemporary movie Thomas Elsaesser, Warren Buckland. Includes Bibliographical References (p. [294]-302) And Index.