Structure And Meaning In Medieval Arabic And Persian Lyric Poetry: Orient Pearls (culture And Civilization In The Middle East)
معرفی کتاب «Structure And Meaning In Medieval Arabic And Persian Lyric Poetry: Orient Pearls (culture And Civilization In The Middle East)» نوشتهٔ Julie Scott Meisami، منتشرشده توسط نشر RoutledgeCurzon در سال 2002. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
This is the first comprehensive and comparative study of compositional and stylistic techniques in medieval Arabic and Persian lyric poetry. Ranging over some seven countries, it deals with works by over thirty poets in the Islamic world from Spain to present-day Afghanistan, and examines how this rich poetic traditions exhibits both continuity and development in the use of a wide variety of compositional strategies. Discussing such topics as principles of structural organisation, the use of rhetorical figures, metaphor and images, and providing detailed analyses of a large number of poetic texts, it shows how structural and semantic features interacted to bring coherence and meaning to the individual poem. It also examines works by the indigenous critics of poetry in both Arabic and Persian, and demonstrates the critics' awareness of, and interest in, the techniques which poets employed to construct poems which were both eloquent and meaningful. Comparisons are also made with classical and medieval poetics in the west. The book will be of interest not merely to specialists in the relevant fields, but also to all those interested in pre-modern poetry and poetics. BOOK COVER......Page 1 TITLE......Page 4 COPYRIGHT......Page 5 DEDICATION......Page 6 CONTENTS......Page 8 PREFACE......Page 10 1 INTRODUCTION......Page 16 2 INVENTION......Page 38 3 DISPOSITION: THE PARTS OF THE POEM......Page 70 4 DISPOSITION: LARGER STRUCTURES......Page 126 5 DISPOSITION: THE QASIDA AND ITS ADAPTATIONS......Page 159 6 DISPOSITION: VARIETIES OF STRUCTURE......Page 205 7 ORNAMENTATION......Page 259 8 ORNAMENT: METAPHOR AND IMAGERY......Page 334 9 CONCLUSION: THE COHERENCE OF THE POEM......Page 419 NOTES......Page 446 BIBLIOGRAPHY H......Page 493 INDEX......Page 517 Sir William Jones's rendering of the final line of a ghazal by the eighth/fourteenth-century Persian poet Hafiz stands Janus-like at the gateway of the modern West's encounter with Arabic and Persian poetry.
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