Storytracking : Texts, Stories, and Histories in Central Australia
معرفی کتاب «Storytracking : Texts, Stories, and Histories in Central Australia» نوشتهٔ Sam D. Gill، منتشرشده توسط نشر Oxford University Press در سال 1998. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
"Storytracking is a work of theory and application. It is both a study of history and culture and of the academic issues accompanying the interpretation and observation of other peoples. Sam Gill writes about Central Australia, but, more importantly, he writes about the business of trying to live responsibly and decisively in a postmodern world faced with irreconcilable diversity and complexity, with undeniable ambiguity and uncertainty." "Storytracking includes engaging accounts of many of the colorful figures involved in the nineteenth-century development of Central Australia, and it is an argument for a multiperspectival theory of history. It presents descriptions of an important aboriginal culture - the Arrernte - and it critically examines ethnography. It exposes the colonialist underbelly of all modern academic culture study, yet it embraces the situation as one of creative potential, outlining an interactivist epistemology with which to negotiate the classical alternatives of objectivism and subjectivism. Gill presents an examination of the emergent academic study of religion focused on two exemplary scholars - Mircea Eliade and Jonathan Smith - offering a play theory of religion as the basis for innovative critical discussions of text, comparison, interpretation, the definition of religion, academic writing style, and the role of "the other." Based on painstakingly detailed research, Gill exposes disturbing and confounding dimensions of the modern world, particularly academia. Yet, beyond the pessimism that often characterizes postmodernity, he charts an optimistic and creative course framed in the terms of play."--Jacket Storytracking is a work of theory and application. It is both a study of history and culture and the academic issues accompanying the interpretation and observation of other peoples. Sam Gill writes about Central Australia, but, more importantly, he writes about the business of trying to live responsibly and decisively in a postmodern world faced with irreconcilable diversity and complexity, with undeniable ambiguity and uncertainty.Storytracking includes engaging accounts of many of the colorful figures involved in the nineteenth-century development of Central Australia, and it is an argument for a multiperspectival theory of history. It presents descriptions of an important aboriginal culture--the Arrernte--and it critically examines ethnography. It exposes the colonialist underbelly of all modern academic culture study, yet it embraces the situation as one of creative potential outlining an interactivist epistemology with which to negotiate the classical alternatives of objectivism and subjectivism. Gill presents an examination of the emergent academic study of religion focused on two exemplary scholars--Mircea Eliade and Jonathan Smith--offering a play theory of religion as the basis for innovative critical discussions of text, comparison, interpretation, the definition of religion, academic writing style, and the role of "the other."Based on painstakingly detailed research, Gill exposes disturbing and confounding dimensions of the modern world, particularly academia. Yet, beyond the pessimism that often characterizes postmodernity, he charts an optimistic and creative course framed in the terms of play. This innovative work takes a narrative technique (known as ""storytracking"") practised by Australian aboriginal peoples and applies it to the academic study of their culture. Gill's purpose is to get as close as possible to the perceptions and beliefs of these indigenous peoples by stripping away the layers of European interpretation and construction. His technique involves comparing the versions of aboriginal texts presented in academic reports with the text versions as they appear in each report's cited sources. The comparison helps reveal the extent to which the text is transformed through Frontmatter ONE Storytracking the Arrente through the Academic Bush (page 3) TWO Storytracking Toward Theory (page 20) THREE Central Australia (page 43) FOUR Irbmangkara (page 65) FIVE Altjira (page 85) SIX The Arrernte (page 121) SEVEN Storytracking the Academic Study of Religion (page 178) EIGHT End Game (page 212) Notes (page 217) References (page 259) Index (page 269) This work takes the narrative technique of "storytracking", as practised by Australian aboriginal peoples, and applies it to the academic study of their culture. The author proposes to get as close as possible to the perceptions and beliefs of the peoples by expunging European interpretation
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