Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book (The Philosophy of Popular Culture)

Has any film director had a greater impact on popular culture than Steven Spielberg? Whether filming Holocaust heroes and villains, soldiers, dinosaurs, extraterrestrials, or explorers in search of the Holy Grail, Spielberg has given filmgoers some of the most memorable characters and wrenching moments in the history of cinema. Whatever his subject—war, cloning, slavery, terrorism, or adventure—all of Spielberg's films have one aspect in common: a unique view of the moral fabric of humanity. Dean A. Kowalski's Steven Spielberg and Philosophy is like a remarkable conversation after a night at the movie theater, offering new insights and unexpected observations about the director's most admired films. Some of the nation's most respected philosophers investigate Spielberg's art, asking fundamental questions about the nature of humanity, cinema, and Spielberg's expression of his chosen themes. Applying various philosophical principles to the movies, the book explores such topics as the moral demands of parenthood in War of the Worlds; the ultimate unknowability of the'other'in Close Encounters of the Third Kind and Schindler's List; the relationship between nature and morality in Jurassic Park; the notion of consciousness in A.I.: Artificial Intelligence; issues of war theory and ethics in Munich; and the foundation of human rights in Amistad. Impressive in scope, this volume illustrates the philosophical tenets of a wide variety of thinkers from Plato to Aquinas, Locke, and Levinas. Contributors introduce readers to philosophy while simultaneously providing deeper insight into Spielberg's approach to filmmaking. The essays consider Spielberg's movies using key philosophical cornerstones: metaphysics, epistemology, ethics, axiology, aesthetics, and political philosophy, among others. At the same time, Steven Spielberg and Philosophy is accessible to those new to philosophy, using the philosophical platform to ponder larger issues embedded in film and asking fundamental questions about the nature of cinema and how meanings are negotiated. The authors contend that movies do not present philosophy—rather philosophy is something viewers do while watching and thinking about films. Using Spielberg's films as a platform for discussing these concepts, the authors contemplate questions that genuinely surprise the reader, offering penetrating insights that will be welcomed by film critics, philosophers, and fans alike. Dean A. Kowalski's Steven Spielberg And Philosophy Is Like A Conversation After A Night At The Movie Theater, Offering New Insights And Unexpected Observations About The Director's Most Admired Films. Some Of The Nation's Most Respected Philosophers Investigate Spielberg's Art, Asking Fundamental Questions About The Nature Of Humanity; Cinema, And Spielberg's Expression Of His Chosen Themes. Impressive In Scope, This Book Illustrates The Philosophical Tenets Of A Wide Variety Of Thinkers From Plato To Aquinas, Locke, And Levinas. Contributors Introduce Readers To Philosophy While Simultaneously Providing Deeper Insight Into Spielberg's Approach To Filmmaking. The Essays Consider Spielberg's Movies Using Key Philosophical Cornerstones: Metaphysics, Epistemology, Ethics, Axiology, Aesthetics, And Political Philosophy, Among Others. At The Same Time, Steven Spielberg And Philosophy Is Accessible To Those New To Philosophy, Using The Philosophical Platform To Ponder Larger Issues Embedded In Film And Asking Fundamental Questions About The Nature Of Cinema And How Meanings Are Negotiated.--jacket. Pt. 1. Philosophy, The Filmmaker, And The Human Condition. -- The Big-little Film And Philosophy: Two Takes On Spielbergian Innocence / Gary Arms And Thomas Riley -- The Recovery Of Childhood And The Search For The Absent Father / Michel Le Gall And Charles Taliaferro -- Levinasian Ethics Of Alterity: The Face Of The Other In Spielberg's Cinematic Language / John W. Wright -- The Paradox Of Fictional Belief And Its Moral Implications In Jaws / Christopher R. Trogan And Dean A. Kowalski -- A.i.: Artificial Intelligence And The Tragic Sense Of Life / Timothy Dunn -- Pt. 2. Values, Virtue, And Justice. -- What Is Wrong With Cloning A Dinosaur? Jurassic Park And Nature As A Source Of Moral Authority / James H. Spence -- Is Oskar Schindler A Good Man? / Roger P. Ebertz -- A Spielbergian Ethics Of The Family In Saving Private Ryan And The Color Purple / Robert R. Clewis -- Human Rights, Human Nature, And Amistad / David Baggett And Mark W. Foreman -- Terrorism, Counterterrorism, And The Story Of What Happens Next In Munich / Joseph J. Foy -- Pt. 3. Realism, Mind And Metaphysics. -- Spielberg And Cinematic Realism / Keith Dromm -- A.i.: Artificial Intelligence: Artistic Indulgence Or Advanced Inquiry? / V. Alan White -- Minority Report, Molinism, And The Viability Of Precrime / Dean A. Kowalski -- Appendix: Discussing Five Spielberg Films. Edited By Dean A. Kowalski. Includes Bibliographical References And Index. Has any film director had a greater impact on popular culture than Steven Spielberg? Whether filming Holocaust heroes and villains, soldiers, dinosaurs, extraterrestrials, or explorers in search of the Holy Grail, Spielberg has given filmgoers some of the most memorable characters and wrenching moments in the history of cinema. Whatever his subjectwar, cloning, slavery, terrorism, or adventureall of Spielberg's films have one aspect in common: a unique view of the moral fabric of humanity. Dean A. Kowalski's Steven Spielberg and Philosophy is like a remarkable conversation after a night at the movie theater, offering new insights and unexpected observations about the director's most admired films. Some of the nation's most respected philosophers investigate Spielberg's art, asking fundamental questions about the nature of humanity, cinema, and Spielberg's expression of his chosen themes. Applying various philosophical principles to the movies, the book explores such topics as the moral demands of parenthood in War of the Worlds; the ultimate unknowability of the "other" in Close Encounters of the Third Kind and Schindler's List; the relationship between nature and morality in Jurassic Park; the notion of consciousness in A.I.: Artificial Intelligence; issues of war theory and ethics in Munich; and the foundation of human rights in Amistad. Impressive in scope, this volume illustrates the philosophical tenets of a wide variety of thinkers from Plato to Aquinas, Locke, and Levinas. Contributors introduce readers to philosophy while simultaneously providing deeper insight into Spielberg's approach to filmmaking. The essays consider Spielberg's movies using key philosophical cornerstones: metaphysics, epistemology, ethics, axiology, aesthetics, and political philosophy, among others. At the same time, Steven Spielberg and Philosophy is accessible to those new to philosophy, using the philosophical platform to ponder larger issues embedded in film and asking fundamental questions about the nature of cinema and how meanings are negotiated. The authors contend that movies do not present philosophyrather philosophy is something viewers do while watching and thinking about films. Using Spielberg's films as a platform for discussing these concepts, the authors contemplate questions that genuinely surprise the reader, offering penetrating insights that will be welcomed by film critics, philosophers, and fans alike. Without question, few directors have had such a powerful influence on the film industry and the moviegoing public as Steven Spielberg. Often referred to as the most successful American filmmaker of all time, Spielberg has been nominated for the Academy Award for Best Director six times, winning twice-for Schindler's List in 1994 and Saving Private Ryan in 1999. Seven of his films have received the Best Picture Oscar nomination. He has brought to life some of the most popular heroes of all time, such as Indiana Jones, as well as some of the most despised villains, including Amon Goeth from Schindler's List and the killer shark from Jaws. Whatever the subject--dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism--one clear and consistent touchstone is present in all of Spielberg's films: an interest in the human condition. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation's most respected philosophers investigate Spielberg's art to lluminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg's work. Avid moviegoers and deep thinkers will discover plenty of common ground in this collection Title Page Copyright Contents Acknowledgments Introduction Part I: Philosophy, the Filmmaker, and the Human Condition Chapter 1. The "Big-Little" Film and Philosophy: Two Takes on Spielbergian Innocence Chapter 2. The Recovery of Childhood and the Search for the Absent Father Chapter 3. Levinasian Ethics of Alterity: The Face of the Other in Spielberg's Cinematic Language Chapter 4. The Paradox of Fictional Belief and It's Moral Implications in Jaws Chapter 5. A.I.: Artificial Intelligence and the Tragic Sense of Life Part II: Values, Virtue, and Justice Chapter 6. What Is Wrong with Cloning a Dinosaur? Jurassic Park and Nature as a Source of Moral Authority Chapter 7. Is Oskar Schindler a Good Man? Chapter 8. A Spielbergian Ethics of the Family in Saving Private Ryan and The Color Purple Chapter 9. Human Rights, Human Nature, and Amistad Chapter 10. Terrorism, Counterterrorism, and "The Story of What Happens Next" in Munich Part III: Realism, Mind, and Metaphysics Chapter 11. Spielberg and Cinematic Realism Chapter 12. A.I.: Artificial Intelligence: Artistic Indulgence or Advanced Inquiry? Chapter 13. Minority Report, Molinism, and the Viability of Precrime Appendix: Discussing Five Spielberg Films Contributors Index Back Cover “This lively collection of essays on the ideas underpinning his films enriches and enlarges our understanding of Spielberg’s complex body of work.” —Joseph McBride, author of Steven Spielberg: A Biography Few directors have had as powerful an influence on the film industry and the movie-going public as Steven Spielberg. Whatever the subject—dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism—one clear and consistent touchstone is present in all of Spielberg’s films: an interest in the human condition. In movies ranging from Jaws to Schindler’s List to Amistad to Jurassic Park , he has brought to life some of the most popular heroes—and most despised villains—of all time. In Steven Spielberg and Philosophy , Dean A. Kowalski and some of the nation’s most respected philosophers investigate Spielberg’s art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg’s work. Avid moviegoers and deep thinkers will discover plenty to enjoy in this collection. Without question, few directors have had such a powerful influence on the film industry and the moviegoing public as Steven Spielberg. Often referred to as the most successful American filmmaker of all time, Spielberg has been nominated for the Academy Award for Best Director six times, winning twice -- for Schindler's List in 1994 and Saving Private Ryan in 1999. Seven of his films have received the Best Picture Oscar nomination. He has brought to life some of the most popular heroes of all time, such as Indiana Jones, as well as some of the most despised villains, including Amon Goeth fro