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Stage rights! The Actresses’ Franchise League, activism and politics 1908–58

معرفی کتاب «Stage rights! The Actresses’ Franchise League, activism and politics 1908–58» نوشتهٔ Paxton, Naomi، منتشرشده توسط نشر Manchester University Press Project MUSE در سال 2018. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

This book provides the first detailed account of the work of the Actresses' Franchise League, taking the story of the organisation further than ever before. Formulated as a historiographically innovative critical biography of the League over the fifty years of the organisation’s activities, this book invites a total reassessment of the League within both twentieth-century industry networks and accepted narratives of the development of political theatre in the UK.Making a genuine contribution to both theatre and suffrage histories, this book looks in detail at the performative propaganda of the suffrage movement and the role of feminist actresses as activists during and after the campaign for Votes for Women. It explores the extensive networks of political and theatrical activism and social campaigning through which suffragist performers, playwrights and producers shaped their careers, and reveals how determined the Actresses' Franchise League was to be visible in public space and to create equal opportunities for women in the theatre industry.Drawing on archival material, this book shows how members and allies of the League addressed a broad range of political and social issues through their work, how they presented and represented women and womanhood and how the organisation, formed and embedded in the Edwardian period, diversified during and after the First and Second World Wars. Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses'Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses'Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK. Drawing upon previously unseen archival material, this book brings to life the story of the Actresses' Franchise League from 1908-1958, building a picture of this diverse, exciting and innovative organisation that opens up and extends previous scholarship of the suffrage movement, and of political and feminist networks in twentieth century theatre. Drawing upon previously unseen archival material, this text brings to life the story of the Actresses' Franchise League from 1908-1958, building a picture of this diverse, exciting and innovative organisation that opens up and extends previous scholarship of the suffrage movement, and of political and feminist networks in 20th century theatre Front matter Contents List of figures List of abbreviations Series editors' foreword Acknowledgements Introduction: Re-evaluating the AFL Exhibition Sisterhood Visibility Militancy Hope Legacy Bibliography Index
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