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Spectral Shakespeares: Media Adaptations in the Twenty-First Century (Reproducing Shakespeare)

معرفی کتاب «Spectral Shakespeares: Media Adaptations in the Twenty-First Century (Reproducing Shakespeare)» نوشتهٔ Maurizio Calbi در سال 2013. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, the book argues that these adaptations foreground a cluster of self-reflexive "themes" - from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral "Shakespeare" made of uncanny textual and media remainders that leave their mark on our contemporary mediascape. Spectral Shakespeares Is An Illuminating Exploration Of Recent, Experimental Adaptations Of Shakespeare On Film, Tv, And The Web. Drawing On Adaptation Studies And Media Theory As Well As Jacques Derrida's Work, This Book Argues That These Adaptations Foreground A Cluster Of Self-reflexive Themes--incorporation To Reiteration, From Migration To Addiction, From Silence To Survival -- That Contribute To The Redefinition Of Adaptation, And Shakespearean Adaptation In Particular, As An Unfinished And Interminable Process. The Shakespeare That Emerges From These Adaptations Is A Fragmentary, Mediatized, And Heterogeneous Presence, A Spectral Shakespeare That Leaves A Mark On Our Contemporary Mediascape. Introduction: Shakespeare, Spectro-textuality, Spectro-mediality -- The State Of The Kitchen: Incorporation And Animanomaly In Scotland, Pa And The Bbc Shakespeare Retold Macbeth -- Shakespearean Retreats: Spectrality, Survival, And Auto-immunity In Kristian Levring's The King Is Alive -- Reiterating Othello: Spectral Media And The Rhetoric Of Silence In Alexander Abela's Souli -- This Is My Home, Too: Migration, Spectrality, And Hospitality In Roberta Torre's Sud Side Stori -- Shakespeare In The Extreme: Ghosts And Remediation In Alexander Fodor's Hamlet -- Restless Ecstasy: Addiction, Reiteration, And Mediality In Klaus Knoesel's Rave Macbeth -- He Speaks Or Rather He Tweets: The Specter Of The Original, Media, And Media-crossed Love In Such Tweet Sorrow. Maurizio Calbi. Includes Bibliographical References (pages [209]-225) And Index. Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, the book argues that these adaptations foreground a cluster of self-reflexive "themes"--Incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral "Shakespeare" made of uncanny textual and media remainders that leave their mark on our contemporary mediascape. --Amazon.com Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, this book argues that these adaptations foreground a cluster of self-reflexive'themes'- from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The'Shakespeare'that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral Shakespeare that leaves a mark on our contemporary mediascape.
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