Soviet Cinema: Politics and Persuasion Under Stalin (KINO - The Russian and Soviet Cinema)

When the Bolsheviks seized power in the Soviet Union during 1917, they were suffering from a substantial political legitimacy deficit. Uneasy political foundations meant that cinema became a key part of the strategy to protect the existence of the USSR. Based on extensive archival research, this welcome book examines the interaction between politics and the Soviet cinema industry during the period between Stalin's rise to power and the beginning of the Great Patriotic War. It reveals that film had a central function during those years as an important means of convincing the masses that the regime was legitimate and a bearer of historical truth. Miller analyzes key films, from the classic musical Circus to the political epic The Great Citizen , and examines the Bolseviks', ultimately failed, attempts to develop a "cinema for the millions." As Denise Youngblood writes, "this work is indispensable reading not only for specialists in Soviet film and culture, but also for anyone interested in the dynamics of cultural production in an authoritarian society." When The Bolsheviks Seized Power In The Soviet Union During 1917, They Were Suffering From A Substantial Political Legitimacy Deficit. Uneasy Political Foundations Meant That They Were Always On The Defensive And Cinema Became A Key Part Of The Strategy To Protect The Existence Of The Ussr. This Welcome Book Shows How One Of Film's Central Functions Was As An Important Means Of Convincing The Masses That The Regime Was Legitimate And A Bearer Of Historical Truth. Based On Extensive Research In Archives And Primary Sources, The Book Examines The Interaction Between Politics And The Soviet Cinema Industry During The Period Between Stalin's Rise To Power And The Beginning Of The Great Patriotic War. This Was The Era When The Bolsheviks Were Trying To Develop A 'cinema For The Millions', Which Sought To Engage Soviet Citizens Politically By Carefully Blending Entertainment With The Communist Message. Jamie Miller Investigates How Political And Administrative Decision-making, Censorship, Thematic Planning And Purges Were Shaped By The Bolsheviks' Defensive Outlook, Which In Turn Had A Largely Negative Impact On The Production Process. He Examines The Role Of Film Unions And Societies, Compares The Development Of Two Different Studios And Looks At The Education System For Cinema Personnel. He Also Analyses Key Films Of The Period, Including The Classic Musical Circus, The Class Enemy Drama The Party Card And The Political Epic The Great Citizen.--page 4 Of Cover. Film Administration And Industry Development -- Censorship -- The Purges -- Thematic Planning -- Representation And Reach : Cinema Unions And Societies -- A Tale Of Two Studios : Mezhrabpomfilm And Mosfilm -- Film Education And Training -- Film-makers And Film-making. Jamie Miller. Includes Bibliographical References (p. [203]-210) And Index. Includes Filmography. When the Bolsheviks seized power in the Soviet Union during 1917, they were suffering from a substantial political legitimacy deficit. Uneasy political foundations meant that cinema became a key part of the strategy to protect the existence of the USSR. Based on extensive archival research, this welcome book examines the interaction between politics and the Soviet cinema industry during the period between Stalin’s rise to power and the beginning of the Great Patriotic War. It reveals that film had a central function during those years as an important means of convincing the masses that the regime was legitimate and a bearer of historical truth. Miller analyses key films, from the classic musical ‘Circus’ to the political epic “The Great Citizen”, and examines the Bolsheviks’, ultimately failed, attempts to develop a ‘cinema for the millions’. As Denise Youngblood writes, ‘this work is indispensable reading not only for specialists in Soviet film and culture, but also for anyone interested in the dynamics of cultural production in an authoritarian society’.