وبلاگ بلیان

صدا، جامعه و جغرافیای موسیقی محبوب

Sound, society, and the geography of popular music

معرفی کتاب «صدا، جامعه و جغرافیای موسیقی محبوب» (با عنوان لاتین Sound, society, and the geography of popular music) نوشتهٔ Ola Johansson, Thomas L. Bell, Ola Johansson, Thomas Bell، منتشرشده توسط نشر Ashgate; Routledge در سال 2009. این کتاب در 9 صفحه، فرمت pdf، زبان انگلیسی ارائه شده است.

Popular Music Is A Cultural Form Much Rooted In Space And Place. This Book Interprets The Meaning Of Music From A Spatial Perspective And, In Doing So It Furthers Our Understanding Of Broader Social Relations And Trends, Including Identity, Attachment To Place, Cultural Economies, Social Activism And Politics. The Book's Editors Have Brought Together A Team Of Scholars To Discuss The Latest Innovative Thinking On Music And Its Geographies, Illustrated With A Fascinating Range Of Case Studies From The Usa, Canada, The Caribbean, Australia And Great Britain.--book Cover. Geographies Of John And Yoko's 1969 Campaign For Peace : An Intersection Of Celebrity, Space, Art, And Activism / Robert J. Kruse -- Scales Of Resistance : Billy Bragg And The Creation Of Activist Spaces / Edward Jackiewicz And James Craine -- Writing On The Graceland Wall : On The Importance Of Authorship In Pilgrimage Landscapes / Derek H. Alderman -- Ambient Australia : Music, Meditation, And Tourist Places / John Connell And Chris Gibson -- A Lesson Of Geography, On The Riddim : The Symbolic Topography Of Reggae Music / Sarah Daynes -- A Listener's Mental Map Of California / Kevin Romig -- Musical Cartographies : Los Ritmos De Los Barrios De La Habana / John Finn And Chris Lukinbeal -- The City She Loves Me : The Los Angeles Of The Red Hot Chili Peppers / Michael W. Pesses -- The Geography Of Canadian Shield Rock : Locality, Nationality And Place Imagery In The Music Of The Rheostatics / Olaf Kuhlke -- Internet Radio And Cultural Connections : A Case Study Of The St. John's, Newfoundland Radio Market / Sara Beth Keough -- Local Independent Music Scenes And The Implications Of The Internet / Holly C. Kruse -- Where Are The New Us Music Scenes? / Ola Johansson And Thomas L. Bell -- Hip Hop : A Postmodern Folk Music / Steven Graves -- Techno : Music And Entrepreneurship In Post-fordist Detroit / Deborah Che -- The Production Of Contemporary Christian Music : A Geographical Perspective / John Lindenbaum. Edited By Ola Johansson, Thomas L. Bell. Includes Bibliographical References And Index. Contents 6 List of Figures 8 List of Tables 10 Notes on Contributors 12 1 Introduction 16 Part I Music, Space, and Political Activism 22 2 Geographies of John and Yoko’s 1969 Campaign for Peace: An Intersection of Celebrity, Space, Art, and Activism 26 3 Scales of Resistance: Billy Bragg and the Creation of Activist Spaces 48 Part II Tourism and Landscapes of Music 64 4 Writing on the Graceland Wall: On the Importance of Authorship in Pilgrimage Landscapes 68 5 Ambient Australia: Music, Meditation, and Tourist Places 82 Part III Mapping Musical Texts 104 6 A Lesson of Geography, on the Riddim: The Symbolic Topography of Reggae Music 106 7 A Listener’s Mental Map of California 122 Part IV Place in Music/Music in Place 138 8 Musical Cartographies: Los Ritmos de los Barrios de la Habana 142 9 The City She Loves Me: The Los Angeles of the Red Hot Chili Peppers 160 10 The Geography of “Canadian Shield Rock”: Locality, Nationality and Place Imagery in the Music of the Rheostatics 176 Part V Local Music in a Connected World 196 11 Internet Radio and Cultural Connections 200 12 Local Independent Music Scenes and the Implications of the Internet 220 13 Where Are the New US Music Scenes? 234 Part VI The Geography of Genres 256 14 Hip Hop: A Postmodern Folk Music 260 15 Techno: Music and Entrepreneurship in Post-Fordist Detroit 276 16 The Production of Contemporary Christian Music: A Geographical Perspective 296 Index 310 Illustrated by a range of fascinating case studies from the USA, Canada, the Caribbean, Australia and Great Britain, this book presents the latest innovative spatial perspectives on music, in doing, so furthers our understanding of broader social relations and trends, including identity, attachment to place, cultural economies, social activism and politics
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