Songs from the second float : a musical ethnography of Takū Atoll, Papua New Guinea

This book, based on fieldwork spanning a decade, gives a comprehensive analysis of the musical life of a unique Polynesian community whose geographical isolation, together with a local ban on missionaries and churches, combine to allow its 600 members to maintain a level of traditional cultural practices unique to the region. Takü is arguably the only location where traditional Polynesian religion continues to be practiced. This book explores the many ways in which spirit activities impact on both domestic and ritual life, how group singing and dancing give audible and visible expression to a variety of religious beliefs, and how spirit mediums relay songs and dances from the recent dead. Takü’s community is well able to articulate the significance of their own strong performance tradition, and this book allows expert singers and dancers to speak passionately for themselves on subjects they understand intimately. Musical ethnographies from the Pacific are rare. Like Moyle’s earlier landmark volumes on Samoan and Tongan music, and also his trilogy on Australian Aboriginal music, this work will be of immense value to Pacific studies and will assume a place among the recognized staples of ethnomusicological research.

Igniting the Internet examines the development and consequences of Internet-born politics in the twenty-first century. It takes up the new wave of South Korean youth activism that originated online in 2002, when the country's dynamic cyberspace transformed a vehicular accident involving two U.S. servicemen into a national furor that compelled many Koreans to reexamine the fifty-year relationship between the two countries. Responding to the accident, which ended in the deaths of two high school students, technologically savvy youth went online to organize demonstrations that grew into nightly rallies across the nation. Internet-born, youth-driven mass protest has since become a familiar and effective repertoire for activism in South Korea, even as the rest of the world has struggled to find its feet with this emerging model of political involvement.

It focuses on the cultural dynamics that have allowed the Internet to bring issues rapidly to public attention and exert influence on both domestic and international politics. The author combines a robust analysis of online communities with nuanced interview data to theorize a "cultural ignition process" - the mechanisms and implications for popular politics in volatile Internet-driven activism - in South Korea and beyond. She offers a unique perspective on how local actors experience and remember the cultural dynamics of Internet-born activism and how these experiences shape the political identities of a generation who has essentially come of age in cyberspace, the so-called digital natives or millennials.

Readers interested in social movement theory and new media in social context as well as students and scholars of Korean studies will find the work both far-reaching and insightful.

Editor’s Note Contents Illustrations Acknowledgments Preface Introduction Chapter 1. Geography and History Chapter 2. Takū Society as the Locus for Musicking Chapter 3. Religious Contexts of Music Chapter 4. Processes of Takū Music Chapter 5. The Nature of Takū Song Chapter 6. The Nature of Takū Dance Conclusion Notes Glossary of Takū Terms Bibliography Index