شرک: داستان پشت پرده

Preface......Page 5 Story and Editorial......Page 7 Character Technical Development......Page 8 Layout......Page 9 Lighting......Page 10 Infrastructure......Page 11 Design Process Breakdown......Page 13 Design Breakdown......Page 14 CDpart7.pdf......Page 0 Generic Characters......Page 17 First Considerations......Page 18 How Many Different Original Models are Necessary to Create a Good Variety of Characters?......Page 19 How Many Different Outfits and Hats Are Needed?......Page 20 How Many Different Hair Styles Are Needed?......Page 22 Physical Characteristics of a Generic Character Model......Page 23 Limitations on Body Variations......Page 24 Face......Page 25 Using the Facial System to Get Different Faces from a Single Model or Setup......Page 26 Character Design......Page 27 Wardrobe......Page 28 Hair......Page 29 Using the System......Page 30 Lighting and FX......Page 34 Shading Generic Characters......Page 35 Crowds......Page 37 Acknowledgments......Page 39 Why Simulate......Page 41 Why Not......Page 42 Types of Simulations......Page 43 Torches......Page 44 Foliage......Page 45 Hero Simulation......Page 46 Window Destruction......Page 47 Ropes and Chains......Page 48 Hero Hair......Page 49 Generic Hair......Page 51 Clothing......Page 52 Conclusion......Page 53 Shrek Effects......Page 55 Introduction......Page 57 Particles Technique......Page 58 Problems with Particle-based Techniques......Page 59 Our Approach......Page 60 Features of Fireballs......Page 61 The Simulation Techniques......Page 62 The Overall Motion......Page 63 Texturing the Fireball......Page 64 How to Simulate Dissipation and Improve Depth......Page 66 Acknowledgments......Page 68 Art......Page 83 The Swamp......Page 85 Sycamore Forest......Page 87 Dragon’s Keep......Page 89 1. Keep it Real......Page 91 4. Shape Shape Shape......Page 92 Skin and Hair......Page 93 Complement Lights......Page 95 Keep ‘em Honest......Page 97 In the Future......Page 98 Purpose of the Feature Pipeline Infrastructure......Page 99 Job Navigation and Structure......Page 100 Asset Management......Page 101 Feature Animation Project Cycles......Page 102 Biographies......Page 103