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Shot in Alabama : A History of Photography, 1839–1941, and a List of Photographers

معرفی کتاب «Shot in Alabama : A History of Photography, 1839–1941, and a List of Photographers» نوشتهٔ Robb, Frances Osborn; Robb, Frances Osborn، منتشرشده توسط نشر The University of Alabama Press در سال 2017. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Shot in Alabama is a sumptuously illustrated history of photography as practiced in the state from 1839 to 1941. It offers a unique account of the birth and development of a significant documentary and artistic medium, as well as the ways that medium distinctively reflects the story of a culturally rich region. Offers a visual and textual narrative of Alabama's photographic history from 1839 to 1941. It describes the phenomenon of photography as practiced in Alabama as a major cultural force, paying close attention to the particular contexts from which each image emerges and the fragments of microhistory that each image documents. Shot in Alabama by Frances Osborn Robb is a visual and textual narrative of Alabama's photographic history from 1839 to 1941. It describes the phenomenon of photography as practiced in Alabama as a major cultural force, paying close attention to the particular contexts from which each image emerges and the fragments of microhistory that each image documents. Presented chronologically-from the very first photograph ever taken in the state to the appearance of cameras as commonplace possessions in mid-twentieth-century households-Robb draws into sharp relief the eras of daguerreotypes, Civil War photography, photographic portraiture at the end of the nineteenth century, urban and rural photography in the early twentieth century, WPA photography during the Great Depression, postcards and tourist photography, and pre-World War II illustrated books and art photographs. Robb also examines a wide spectrum of vernacular photography: Alabama-made photographs of everyday people and places, the photographs that fill dresser drawers and shoeboxes, a vast array of unusual images against which Alabama's more typical iconography can be measured. She also chronicles the work of hundreds of photographers-black and white, amateur and professional, women and men-some little-known outside their communities, some of them the medium's most important practitioners. "Who Shot Alabama?" is an accompanying appendix that includes 1,400 photographers by name, working dates, and location-a resource that will help countless individuals, families, and archives identify the specific Alabama photographers whose names appear on family photographs or those in institutional collections. Shot in Alabama is an insightful document of photography as both a communicator and creator of social, cultural, economic, and visual history. It highlights the very personal worlds rendered by individual photographs as well as the larger panorama of Alabama history as seen through the photographs collectively. A landmark work of research, curation, and scholarship, it fills the void of published history on Alabama photography and is an invaluable resource for historians, archivists, librarians, collectors, hobbyists, and readers with an interest in Alabama history or historic photography. Shot in Alabama is a book that all Alabamians will want on their coffee tables Contents 8 List of Figures 10 Maps 19 Preface 22 Acknowledgments 36 1. “Engraved by the Sunbeams”: The Daguerrean Era, 1839 to the Mid-1850s 42 2. “All Kinds of Pictures”: Competing Technologies, 1855–1861 62 3. “The Ambrotypes and Bible I Sent by Mrs. Culver”: Wartime, 1861–1865 86 4. “Remember That I Want a Picture”: Photography, 1865–1880 108 5. “My Bud, A Rather Good Looking Somebody”: Likenesses, 1880–1929 132 6. “One of Our Most Remarkable Views”: Outdoor Photography, 1880–Early 1900s 158 7. “Make Pictures! Always . . . the Song . . . in My Head”: On Location, Early 1900s–1929 180 8. “From Alabama”: Illustrated Books and Art Photographs, 1880–1941 204 9. “Photography Was One of My Hobbies”: Snapshots, 1889–1941 228 10. “Things Began to Change”: Local Photography, 1929–1941 248 11. “Designed . . . For the Government”: Farm Security Administration Photographs, 1935–1941 270 12. “Foster Turned in Some Damn Good Pictures”: Project Photography, 1929–1941 292 13. “How Little They Know”: Looking Forward, 1941–1945 314 Appendix: Who Shot Alabama? A List of Alabama Photographers, 1839–1941 326 Notes 498 Bibliography 542 Index 572
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