Short Story Writing : A Practical Treatise on the Art of the Short Story

Excerpt from Short Story Writing: A Practical Treatise on the Art of the Short Story This book is an attempt to put into definite form the principles observed by the masters of the short story in the practice of their art. It is the result of a careful study of their work, of some indifferent attempts to imitate them, and of the critical examination of several thousands of short stories written by amateurs. It is designed to be of practical assistance to the novice in short story writing, from the moment the tale is dimly conceived until it is completed and ready for the editors judgment. The rules and principles here presented embody not what I conceive to be right, but what the great masters of the short story have thought to be right, and what they have proved to be at least successful. I speak only as a delver into the secrets of other men; and if I seem arrogant, it is due to the influence of the company I keep. My deductions are made not only from the artifices and triumphs of the successful, but from the struggles and failures of the unfortunate as well; and I have endeavored to make clear both the philosophy and the application of all the principles so deduced. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. \*\* This book is an attempt to put into definite form the principles observed by the masters of the short story in the practice of their art. It is the result of a careful study of their work, of some indifferent attempts to imitate them, and of the critical examination of several thousands of short stories written by amateurs. It is designed to be of practical assistance to the novice in short story writing, from the moment the tale is dimly conceived until it is completed and ready for the editor's judgment. The rules and principles here presented embody not what I conceive to be right, but what the great masters of the short story have thought to be right, and what they have proved to be at least successful. I speak only as a delver into the secrets of other men; and if I seem arrogant, it is due to the influence of the company I keep. My deductions are made not only from the artifices and triumphs of the successful, but from the struggles and failures of the unfortunate as well; and I have endeavored to make clear both the philosophy and the application of all the principles so deduced. Though in theory these rules are obligatory on all who essay the short story, they are frequently and knowingly evaded or violated by the masters of the art, whose genius is great enough to excuse their disregard of the conventions, or whose skill is sufficient to smooth over their technical lapses; but for the novice the only safe course is a careful observance of all conventions.

In this rich compilation, Emeka Nwosu takes the reader to a journey of the issues that have helped to shape discourses on various aspects of the Nigerian state and society. The articles, originally published in his weekly column in the premier Nigerian daily newspaper, ThisDay, not only show his perspectives on these issues when they were written but also reveal how discussions on some of those issues have evolved over time and how they have mutated today.

Journalists, especially those who maintain regular columns, are often said to write 'history in a hurry'. For experienced writers like the author whose writings are research-based, it does not mean that what they write about is factually wrong but simply that their writings are infused with the passions and emotions that attended those issues as they unfolded.

This collection is therefore not only informed commentaries on some of the issues that have shaped the contour of the Nigerian state and society over the years but a good trip on the passions and emotions that attended those discourses. The articles, 66 of them, are written with remarkable candour and gusto and therefore a delight to read. They form a very important contribution to the corpus of works on Nigerian politics and society.

In the context of a short story, every sentence, every word must serve a specific purpose. That's why the writers who have mastered this form -- Flannery O'Connor, Edgar Allen Poe, Nathaniel Hawthorne, Raymond Carver -- are often afforded the highest critical praise. In Short Story Writing: A Practical Treatise on the Art of the Short Story, Charles Raymond Barrett offers simple, straightforward tips and advice that will help any aspiring author sharpen their short-story writing skills.