Shooting Lincoln : Mathew Brady, Alexander Gardner, and the Race to Photograph the Story of the Century

Describes How The Deep Rivalry Between The Civil War Eras Most Notable Photographers Led Them In A Paparazzi-like Race To Be The First To Take The Most Sensational, Ghastly Photos Of Abraham Lincoln After His Assassination. Prologue: Shooting Lincoln -- The Great Exhibition -- The Making Of A President -- The Battlefield -- A Hearse At Your Door -- The Breakup -- Surrender -- Assassination -- The Crime Scene -- The Funeral -- The Hunt For Booth -- Autopsy -- The Rogues' Gallery -- Trial By Picture -- The Gallows -- The Execution -- Broken -- Epilogue: Motion Pictures. Nicholas J. C. Pistor. Includes Bibliographical References (pages 203-207) And Index. They took the most memorable photographs of the Civil War. Now their long rivalry was about to climax with the spilled blood of an American president--an event that would usher in a new age of modern media. Mathew Brady and Alexander Gardner were the new media moguls of their day. With their photographs they brought the Civil War -- and all of its terrible suffering -- into Northern living rooms. By the end of the war, they were locked in fierce competition. And when the biggest story of the century happened--the assassination of Abraham Lincoln--their paparazzi-like competition intensified. Brady, nearly blind and hoping to rekindle his wartime photographic magic, and Gardner, his former understudy, raced against each other to the theater where Lincoln was shot, to the autopsy table where Booth was identified, and to the gallows where the conspirators were hanged. Whoever could take the most sensational -- or ghastly -- photograph would achieve lasting camera-lens fame. Compelling and riveting, Shooting Lincoln tells the astonishing, behind-the-photographs story of these two media pioneers who raced to "shoot" the late president and the condemned conspirators. The photos they took electrified the country, fed America's growing appetite for tabloid-style sensationalism in the news, and built the media we know today. Their long rivalry climaxed with the spilled blood of an American president. Mathew Brady, nearly blind and hoping to rekindle his artistic photographic magic, competed against his former understudy, Alexander Gardner, to record the epic moments of President Abraham Lincoln's death; the hunt for his murderer, John Wilkes Booth; and the execution of the men and women who conspired with Booth to cripple the United States government. 'Shooting Lincoln' tells the tory of their race for lasting camera-lens glory-and shows how, at the end of the Civil War, photography had become the photojournalism that would our change culture forever. Brady and Gardner took some of the most memorable images ever recorded in history, invented a new media industry, and became the fathers of modern media, unlocking the passion of Americans for close-up views of history as it happened The intense rivalry of famous photographers Mathew Brady and Alexander Gardner shows how - during the Civil War and throughout the chase for Lincoln?s killers - photography changed our culture forever.