Shadow Sites: Photography, Archaeology, and the British Landscape 1927-1951 (Oxford Historical Monographs)
معرفی کتاب «Shadow Sites: Photography, Archaeology, and the British Landscape 1927-1951 (Oxford Historical Monographs)» نوشتهٔ Kitty Hauser، منتشرشده توسط نشر OUP Oxford در سال 2007. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
In mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into these evocative interpretations and looks at how they affected the way the landscape was seen. - ;At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities between photography as a medium to capture traces of the past as well as their absence. In Mid-20th Century Britain, An Archaeological Vision Of The British Landscape Enchanted Writers, Artists, Photographers, And Film-makers. From John Piper And Eric Ravilious To Photos Of Bomb Damage, This Book Delves Into These Evocative Interpretations And Looks At How They Affected The Way The Landscape Was Seen. Acknowledgments -- Introduction -- The Archaeological Imagination -- Tracing The Trace: Photography, The Index, And The Limits Of Representation -- Reading Antiquity, Mapping History -- Revenants In The Landscape: The Discoveries Of Aerial Photography -- Recuperating Ruins -- A Tale Of Two Cities -- Conclusion. Kitty Hauser. Includes Bibliographical References (p. [292]-309) And Index.
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