Shadow and Substance: Eucharistic Controversy and English Drama across the Reformation Divide (ReFormations: Medieval and Early Modern)

Shadow And Substance Is The First Book To Present A Sustained Examination Of The Relationship Between Eucharistic Controversy And English Drama Across The Reformation Divide. In This Compelling Interdisciplinary Study, Jay Zysk Contends That The Eucharist Is Not Just A Devotional Object Or Doctrinal Crux, It Also Shapes A Way Of Thinking About Physical Embodiment And Textual Interpretation In Theological And Dramatic Contexts. Regardless Of One's Specific Religious Identity, To Speak Of The Eucharist During That Time Was To Speak Of Dynamic Interactions Between Body And Sign. In Crossing Periodic Boundaries And Revising Familiar Historical Narratives, Shadow And Substance Challenges The Idea That The Protestant Reformation Brings About A Decisive Shift From The Flesh To The Word, The Theological To The Poetic, And The Sacred To The Secular. The Book Also Adds To Studies Of English Drama And Reformation History By Providing An Account Of How Eucharistic Discourse Informs Understandings Of Semiotic Representation In Broader Cultural Domains. This Bold Study Offers Fresh, Imaginative Readings Of Theology, Sermons, Devotional Books, And Dramatic Texts From A Range Of Historical, Literary, And Religious Perspectives. Each Of The Book's Chapters Creates A Dialogue Between Different Strands Of Eucharistic Theology And Different Varieties Of English Drama. Spanning England's Long Reformation, These Plays--some Religious In Subject Matter, Others Far More Secular--reimagine Semiotic Struggles That Stem From The Controversies Over Christ's Body At A Time When These Very Concepts Were Undergoing Significant Rethinking In Both Religious And Literary Contexts. Shadow And Substance Will Have A Wide Appeal, Especially To Those Interested In Medieval And Early Modern Drama And Performance, Literary Theory, Reformation History, And Literature And Religion-- Introduction : Many Reformations -- Eucharistic Semiotics : The Body Of Christ And The Play Of Signs -- Words And Wounds : Christ Crucified And Coriolanus -- Sacramental Signs And Mystical Bodies In Lydgate, Bake, And Shakespeare -- Father Fastus? Confection And Conjuration In Everyman And Doctor Faustus -- Relics And Unreliable Bodies In The Croxton Play Of The Sacrament, The Duchess Of Malfi, And The Changeling -- Conjured To Remembrance : Emmaus Plays, Jack Juggler, And The Winter's Tale. Jay Zysk. Includes Bibliographical References And Index.

Shadow and Substance is the first book to present a sustained examination of the relationship between Eucharistic controversy and English drama across the Reformation divide. In this compelling interdisciplinary study, Jay Zysk contends that the Eucharist is not just a devotional object or doctrinal crux, it also shapes a way of thinking about physical embodiment and textual interpretation in theological and dramatic contexts.

Regardless of one’s specific religious identity, to speak of the Eucharist during that time was to speak of dynamic interactions between body and sign. In crossing periodic boundaries and revising familiar historical narratives, Shadow and Substance challenges the idea that the Protestant Reformation brings about a decisive shift from the flesh to the word, the theological to the poetic, and the sacred to the secular. The book also adds to studies of English drama and Reformation history by providing an account of how Eucharistic discourse informs understandings of semiotic representation in broader cultural domains.

This bold study offers fresh, imaginative readings of theology, sermons, devotional books, and dramatic texts from a range of historical, literary, and religious perspectives. Each of the book’s chapters creates a dialogue between different strands of Eucharistic theology and different varieties of English drama. Spanning England’s long reformation, these plays—some religious in subject matter, others far more secular—reimagine semiotic struggles that stem from the controversies over Christ’s body at a time when these very concepts were undergoing significant rethinking in both religious and literary contexts.

Shadow and Substance will have a wide appeal, especially to those interested in medieval and early modern drama and performance, literary theory, Reformation history, and literature and religion.

"Shadow and Substance is the first book to present a sustained examination of the relationship between Eucharistic controversy and English drama across the Reformation divide. In this compelling interdisciplinary study, Jay Zysk contends that the Eucharist is not just a devotional object or doctrinal crux, it also shapes a way of thinking about physical embodiment and textual interpretation in theological and dramatic contexts. Regardless of one's specific religious identity, to speak of the Eucharist during that time was to speak of dynamic interactions between body and sign. In crossing periodic boundaries and revising familiar historical narratives, Shadow and Substance challenges the idea that the Protestant Reformation brings about a decisive shift from the flesh to the word, the theological to the poetic, and the sacred to the secular. The book also adds to studies of English drama and Reformation history by providing an account of how Eucharistic discourse informs understandings of semiotic representation in broader cultural domains. This bold study offers fresh, imaginative readings of theology, sermons, devotional books, and dramatic texts from a range of historical, literary, and religious perspectives. Each of the book's chapters creates a dialogue between different strands of Eucharistic theology and different varieties of English drama. Spanning England's long reformation, these plays--some religious in subject matter, others far more secular--reimagine semiotic struggles that stem from the controversies over Christ's body at a time when these very concepts were undergoing significant rethinking in both religious and literary contexts. Shadow and Substance will have a wide appeal, especially to those interested in medieval and early modern drama and performance, literary theory, Reformation history, and literature and religion"-- Provided by publisher "Shadow and Substance is the first book to present a sustained examination of the relationship between Eucharistic controversy and English drama across the Reformation divide. In this compelling interdisciplinary study, Jay Zysk contends that the Eucharist is not just a devotional object or doctrinal crux, it also shapes a way of thinking about physical embodiment and textual interpretation in theological and dramatic contexts. Regardless of one's specific religious identity, to speak of the Eucharist during that time was to speak of dynamic interactions between body and sign. In crossing periodic boundaries and revising familiar historical narratives, Shadow and Substance challenges the idea that the Protestant Reformation brings about a decisive shift from the flesh to the word, the theological to the poetic, and the sacred to the secular. The book also adds to studies of English drama and Reformation history by providing an account of how Eucharistic discourse informs understandings of semiotic representation in broader cultural domains. This bold study offers fresh, imaginative readings of theology, sermons, devotional books, and dramatic texts from a range of historical, literary, and religious perspectives. Each of the book's chapters creates a dialogue between different strands of Eucharistic theology and different varieties of English drama. Spanning England's long reformation, these plays--some religious in subject matter, others far more secular--reimagine semiotic struggles that stem from the controversies over Christ's body at a time when these very concepts were undergoing significant rethinking in both religious and literary contexts. Shadow and Substance will have a wide appeal, especially to those interested in medieval and early modern drama and performance, literary theory, Reformation history, and literature and religion"--Résumé de l'éditeur Cover 1 Half Title 2 Series Page 3 Title Page 4 Copyright 5 Dedication 6 Contents 8 List of Figures 10 Acknowledgments 12 Introduction: Many Reformations 16 ONE. Eucharistic Semiotics:The Body of Christ and the Play of Signs 34 TWO. Words and Wounds:Christ Crucified and Coriolanus 68 THREE. Sacramental Signs and Mystical Bodiesin Lydgate, Bale, and Shakespeare 98 FOUR. Father Faustus? Confection and Conjurationin Everyman and Doctor Faustus 134 FIVE. Relics and Unreliable Bodies in the CroxtonPlay of the Sacrament, The Duchess of Malfi, and The Changeling 170 SIX. Conjured to Remembrance: Emmaus Plays,Jack Juggler, and The Winter’s Tale 206 Afterword 240 Notes 245 Bibliography 338 Index 374