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Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland (Interventions: New Studies Medieval Cult)

معرفی کتاب «Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland (Interventions: New Studies Medieval Cult)» نوشتهٔ Katherine H. Terrell، منتشرشده توسط نشر The Ohio State University Press در سال 2021. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Scripting the Nation is the first book to set the poets of Scottish King James IV’s court—William Dunbar, Walter Kennedy, and Gavin Douglas—in an extended dialogue with Latin and vernacular traditions of historiography. In the fourteenth and fifteenth centuries, Latin chroniclers such as John of Fordun and Walter Bower argued for their nation’s status, using genealogically based myths of origin that linked Scotland to ancient centers of power. As vernacular histories grew more Anglophobic and quarrels rooted in the past continued to influence Anglo-Scottish diplomacy, Dunbar, Kennedy, and Douglas took up a national discourse that responded to English myths and an English poetic tradition exemplified by Geoffrey Chaucer. Terrell’s elegant study examines how these Scottish writers marked out a distinct realm of Scottish cultural and poetic achievement, appropriating and subverting English literary models in ways that reveal the interplay between literary and historical authority in the scripting of nationhood. On the uses of the past: diplomacy, genealogy, and historiography -- Subversive histories: strategies of identity in Scottish historiography -- "Ane worthier genology": translatio imperii and the divine imperative of history -- Legacies of nationalist historiography and the founding of Scottish poetry -- Literary genealogy and national identity in Dunbar and Kennedy -- From courtly love to court poetics: Dunbar's petitions and the Scottish transformation of tradition -- "Writtin in the langage of Scottis natioun": the political poetry of Douglas's Eneados "Examines the rise of Scottish nationalism through poets at the court of James IV-William Dunbar, Walter Kennedy, and Gavin Douglas-who appropriated and subverted English literary models to create a nationalist discourse that resisted English cultural and political hegemony, defining what is meant by Scots and Scotland"-- Provided by publisher
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