نوشته‌های سینمایی جلد ۲ - ژانرها، کلاسیک‌ها و زیبایی‌شناسی

'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time. Implicitly theoretical as much as it is unashamedly practical, this book is a model not only of film analysis, but also of the enlightened deployment of cultural studies in the service of cinema study. v. 1. Introduction: The necessary film Children of a lesser God: The children's film from De Sica to Kore-eda (on Vittorio De Sica's "The children are watching us" and Hirokazu Kore-eda's "Nobody knows") Death wish, child's whim, auteurist will: Boyer and Clément's forbidden games replayed War games (on Bahman Ghobadi's "Turtles can fly") Outing Edward, outfitting Marlowe: Derek Jarman's film of "Edward II" Theater and fiction into film: Notes on paradigmatic scenes and emblematic adaptations (on William Wyler's "The little foxes", D.W. Griffith's "Way down East", Kenneth Branagh's "Henry V", Bill Forsyth's "Housekeeping", Danny Boyle's "Trainspotting", and Stephen Frears's "Dangerous liaisons") Married to the job: Ermanno Olmi's "Il Posto" and "I Fidanzati" revisited Reflecting reality and mystery: An interview with Ermanno Olmi Lower depths, higher planes: On the films of the Dardenne Brothers (on "La Promesse", "Rosetta", "The son", and "L'Enfant") Cinema of Resistance: An interview with Jean-Pierre and Luc Dardenne World is too much with us: Violence on screen, or realism, reality, and the an-esthetic of the unreal Characterizing space, configuring time: Notes, mostly on Antonioni's "L'Avventura" and "La Notte" As time goes by: Memory and the movies (on Bo Widerberg's "Elvira Madigan", Mike Nichols' "Carnal knowledge", Peter Bogdanovich's "The last picture show", Martin Scorsese's "Mean streets", and John Hancock's "Bang the drum slowly"). 'Screen Writings: Genres, Classics, and Aesthetics'offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of'classic'- as well as the changing perception of so-called classic movies over time. Implicitly theoretical as much as it is unashamedly practical, this book is a model not only of text analysis, but also of the enlightened deployment of cultural studies in the service of film study. The book includes re-considerations of such classic films as ‘I vitelloni', ‘Grand Illusion', ‘Winter Light', and ‘Tokyo Story'; it features genre examinations of the war film (‘Flags of Our Fathers'and ‘Letters from Iwo Jima'), farce (‘Some Like It Hot'), the road film (‘The Rain People'), the New York-centered movie (‘Manhattan'), and avant-garde pictures that privilege narrative (‘3-Iron'and ‘Eternal Sunshine of the Classic Mind'); and'Screen Writings: Genres, Classics, and Aesthetics'concludes with a searching investigation of the rise of the New American Cinema during a tumultuous decade of social change - from the late 1960s to the early 1970s. V. 1. Partial Views Of A Total Art, Classic To Contemporary -- V. 2. Genres, Classics, And Aesthetics. Bert Cardullo. Includes Bibliographical References And Index.