Science fiction film : predicting the impossible in the age of neoliberalism

By presenting a new political framework, the book looks at the sci-fi film genre’s important critical role in a post-political world, deepening and elucidating our understanding of the post-political present and hence reopening the political imagination to possible future trajectories beyond the horizon of the present. Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt’s thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt’s notion of the state of exception and its basis in the unpredictability of tomorrow, it looks at the political ramifications when the moment of the future finally arrives. With analysis of films such as Alien , Blade Runner and Minority Report , Eli Park Sorensen explores how power reconfigures itself to ensure the survival of the state, what ‘society’ means, who ‘we, the people’ are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future. By presenting a new political framework, the book looks at the sci-fi film genre?s important critical role in a post-political world, deepening and elucidating our understanding of the post-political present and hence reopening the political imagination to possible future trajectories beyond the horizon of the present.0Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt?s thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt?s notion of the state of exception and its basis in the unpredictability of tomorrow, it looks at the political ramifications when the moment of the future finally arrives.0With analysis of films such as Alien, Blade Runner and Minority Report, Eli Park Sorensen explores how power reconfigures itself to ensure the survival of the state, what ?society? means, who ?we, the people? are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt’s thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt’s notion of the state of exception and its basis in the unpredictability of tomorrow, the book looks at the political ramifications when the moment of the future finally arrives. Analyzing films such as Alien, Blade Runner and Minority Report, the book explores how power reconfigures itself to ensure the survival of the state, what ‘society’ means, who ‘we, the people’ are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future. Cover Half-Title Dedication Title Page Copyright Contents Acknowledgements Introduction: Science Fiction Film in the Age of Neoliberalism 1 Between Friends and Enemies: Ridley Scott’s Alien 2 Monopolizing the Future: Steven Spielberg’s Minority Report and Schmitt’s Exception 3 The Anomalous World: Elysium and the Invention of the Med-BayMachine 4 Blade Runner and the Right to Life 5 Terminating the State of Exception: Oblivion and the Problem of Exceptional Being 6 Escaping the Production of Bare Life: Blade Runner 2049 and the Miracle of Birth Conclusion Works Cited Index