Romantic Indians : native Americans, British literature, and transatlantic culture, 1756 - 1830

Romantic Indians considers the views that Britons, colonists, and North American Indians took of each other during a period in which these people were in a closer and more fateful relationship than ever before or since. It is, therefore, also a book about exploration, empire, and the forms of writing that exploration and empire gave rise to--in particular the form we have come to call Romanticism. Among the authors discussed are Wordsworth, Hemans, Coleridge, and the Native Americans Copway, Tanner, and Norton. Romantic Indians considers the views that Britons, colonists, and North American Indians took of each other during a period in which these people were in a closer and more fateful relationship than ever before or since. It is, therefore, also a book about exploration, empire, and the forms of representation that exploration and empire gave rise to-in particular the form we have come to call Romanticism, in which'Indians'appear everywhere. It is not too much to say that Romanticism would not have taken the form it did without the complex and ambiguous image of Indians that so intrigued both the writers and their readers. Most of the poets of the Romantic canon wrote about them-not least Southey, Wordsworth, and Coleridge; so did many whom we have only recently brought back to attention-including Bowles, Hemans, and Barbauld. Yet Indians'formative role in the aesthetics and politics of Romanticism has rarely been considered. Tim Fulford aims to bring that formative role to our attention, to show that the images of native peoples that Romantic writers received from colonial administrators, politicians, explorers, and soldiers helped shape not only these writers'idealizations of'savages'and tribal life, but also their depictions of nature, religion, and rural society. The romanticization of Indians soon affected the way that real native peoples were treated and described by generations of travellers who had already, before reaching the Canadian forest or the mid-western plains, encountered the literary Indians produced back in Britain. Moreover, in some cases Native Americans, writing in English, turned the romanticization of Indians to their own ends. This book highlights their achievement in doing so-featuring fascinating discussions of several little-known but brilliant Native American writers. ## Abstract This book considers the views that Britons, colonists, and North American Indians took of each other during a period in which these people were in a closer and more fateful relationship than ever before or since. It is, therefore, a book about exploration, empire, and the forms of representation that exploration and empire gave rise to — in particular the form called Romanticism, in which ‘Indians’ appear everywhere. It is not too much to say that Romanticism would not have taken the form it did without the complex and ambiguous image of Indians that so intrigued both the writers and their readers. Most of the poets of the Romantic canon wrote about them — not least Southey, Wordsworth, and Coleridge; so did many that have only recently been brought back to attention — including Bowles, Hemans, and Barbauld. Yet Indians' formative role in the aesthetics and politics of Romanticism has rarely been considered. This book aims to bring that formative role to our attention, to show that the images of native peoples that Romantics writers received from colonial administrators, politicians, explorers, and soldiers helped shape not only these writers' idealizations of ‘savages’ and tribal life, but also their depictions of nature, religion, and rural society. The romanticization of Indians soon affected the way that real native peoples were treated and described by generations of travellers who had already, before reaching the Canadian forest or the mid-western plains, encountered the literary Indians produced back in Britain. Moreover, in some cases, Native Americans writing in English turned the Romanticization of Indians to their own ends. This book highlights their achievement in doing so — featuring discussions of several little-known but brilliant Native American writers. Romantic Indians Considers The Views That Britons, Colonists, And North American Indians Took Of Each Other During A Period In Which These People Were In A Closer And More Fateful Relationship Than Ever Before Or Since. It Is, Therefore, Also A Book About Exploration, Empire, And The Forms Of Representation That Exploration And Empire Gave Rise To - In Particular That Form We Have Come To Call Romanticism, In Which 'indians' Appear Everywhere. It Is Not Too Much To Say That Romanticism Would Not Have Taken The Form It Did Without To Complex And Ambiguous Image Of Indians That So Intrigued Both The Writers And Their Readers.--jacket. Romantic Indians And Their Inventors -- Historians And Philosophes -- War Stories And Tales From The Frontier -- Travellers' Tales And Traders' Memoirs -- Indian Bones And What White Men Saw In Them -- Indians And The Politics Of Romance -- Native Patriarchs : Pantisocracy And The Americanization Of Wales -- The Indian Song -- Shamans And Superstitions : The Rime Of The Ancyent Marinere -- White Men And Indian Women -- Political Indians -- The Mission To Civilize And The Colonial Romance -- John Norton/teyoninhokarawen -- A Son Of The Forest : William Apess -- Captive, Campaigner, Conman : John Hunter -- Peter Jones/kah-ke-wa-quo-na-by -- John Tanner/shaw-shaw-wa-be-nase -- Kah-ge-ga-gah-bowh/george Copway. Tim Fulford. Includes Bibliographical References (p. [293]-309) And Index. Romantic Indians and their inventors Historians and philosophers War stories and tales from the frontier Travellers' tales and traders' memoirs Indian bones and what white men saw in them Indians and the politics of romance Native patriarchs, pantisocracy and the Americanization of Wales The Indian song Shamans and superstitions White men and Indian women Political Indians The mission to civilize and the colonial romance John Norton/Teyoninhokarawen A son of the forest : William Apess Captive, campaigner, Conman : John Hunter Peter Jones/Kah-ke-wa-quo-na-by John Tanner/Shaw-shaw-wa-be-nase Kah-ge-ga-gah-bowh/George copway. Fulford considers the view that Britons, colonists and North American Indians took of each other during a period in which these people were in a closer and more fateful relationship than ever before or since. He also describes exploration and empire and the writing this gave rise to