Romanesque and the Mediterranean: Patterns of Exchange Across the Latin, Greek and Islamic Worlds c.1000-c.1250 (The British Archaeological Association Conference Transactions)

Arising from a conference organized by the British Archaeological Association in Palermo in 2012, this book includes 16 papers that explores points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. "The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organised by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebrő (Hungary), and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediterranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. A third volume, based on the British Archaeological Associations's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes."--Publisher's description 'The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organized by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of Muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebro (Hungary) and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediteranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. It is a third volume, based on the British Archaeological Association's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes.' Cover 1 Title 2 Copyright 3 CONTENTS 4 Advisory Panel 6 Notes on Contributors 7 Preface 10 Colour Plates 12 Twelfth-Century Pilgrimage Art in Bethlehem and Jerusalem: Points of Contact between Europe and the Crusader Kingdom 28 The Oliphant: A Call for a Shift of Perspective 42 Muslim Artists and Christian Models in the Painted Ceilings of the Cappella Palatina 86 Dress and Textiles in the 12th-Century Painted Ceilings of the Cappella Palatina in Palermo 118 A Porphyry Workshop in Norman Palermo 156 The Mausoleum of Bohemund in Canosa and the Architectural Setting of Ruler Tombs in Norman Italy 178 The Date, Iconography and Dedication of the Cathedral of Canosa 194 Preparing for the End: Painting in the Baptistery of Parma and the Great Devotion of 1233 200 Hungary, Byzantium, Italy: Architectural Connections in the 11th Century 220 Building Jerusalem in Western France: The Case of St-Sauveur at Charroux 232 A Western Interpretation of an Oriental Scheme: The Domed Churches in Romanesque Aquitaine 252 The Migration of Mediterranean Images: Strange Creatures in Spanish Buildings and Scriptoria between the 9th and 11th Centuries 268 Sculptors in Medieval Spain after the Conquest of Toledo in 1085 286 The Paintings of the Chapter-House of Sigena and the Art of the Crusader Kingdoms 304 Catalan Panel Painting Around 1200, the Eastern Mediterranean and Byzantium 324 Catalonia, Provence and the Holy Land: Late 12th-Century Sculpture in Barcelona 354 Index 364