Roman Sculpture (Yale Publications in the History of Art)

Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs. Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their fora, basilicas, temples, and public baths, as well as in their houses, villas, gardens, and tombs. In this beautifully illustrated bookthe first in almost a century devoted solely to Roman sculptureDiana E. E. Kleiner discusses all the major public and private monuments in Rome, as well as many less well known monuments in the capital and elsewhere in the empire. She examines art commissioned by the imperial elite and by private patrons, including freedmen and slaves, and she also highlights monuments honoring women and children. Kleiner demonstrates that the social, ethnic, and geographical diversity of Roman patronage led to an art that was eclectic and characterized by varying styles, often tied to the social status of the patron. She also examines the interrelations between works produced for different kinds of patrons. Kleiner begins with a long thematic introduction that describes Rome and its empire, characterizes patrons from the capital and the provinces, discusses the position of the artist in Roman society and the materials he used, and presents a history of the study of Roman art. The remaining chapters constitute a chronological examination of Roman sculpture from the foundation of Rome in 753 B.C. to the transfer of the capital to Constantinople in A.D. 330. In each period the monuments are divided by type, for example, portraiture, state relief sculpture, the art of freedmen, and provincial art. Throughout, Kleiner treats Roman sculpture in its cultural, political, and social contexts and, wherever possible, as an element of the architectural complex in which it was set. Published with the assistance of the Getty Grant Program "In this classic book-- featuring some new color images taken by the author-- Diana E. E. Kleiner discusses all the major public and private monuments in Rome, as well as many less well known monuments in the capital and elsewhere in the empire. She examines art commissioned by the imperial elite and by private patrons, including freedmen and slaves, and she also highlights monuments honoring women and children. Kleiner demonstrates that the social, ethnic, and geographical diversity of Roman patronage led to an art that was eclectic and characterized by varying styles, often tied to the social status of the patron. She also examines the interrelations between works produced for different kinds of patrons"--Publisher's description Ch. I. The Art Of The Republic -- Ch. Ii. The Age Of Augustus And The Birth Of Imperial Art -- Ch. Iii. Art Under The Julio-claudians -- Ch. Iv. The Civil War Of 68-69, The Flavian Dynasty, And Nerva -- Ch. V. Art Under Trajan And Hadrian -- Ch. Vi. Antonine Art: The Beginning Of Late Antiquity -- Ch. Vii. The Severan Dynasty -- Ch. Viii. The Third Century: A Century Of Civil War -- Ch. Ix. The Tetrarchy -- Ch. X. The Constantinian Period. Diana E.e. Kleiner. Includes Bibliographical References (p. 464) And Index. Discusses all the major public and private monuments in Rome, as well as many less well-known monuments in the capital and elsewhere in the empire. Kleiner examines art commissioned by the imperial elite as well as by private patrons, including freedmen and slaves.