مطالعات هنر صخره‌ای: اخبار جهان. جلد ششم

Rock Art Studies: News of the World VI, like the previous editions in the series, covers rock art research and management all over the world over a fi ve-year period, in this case, the years 2015 to 2019 inclusive. The current volume once again shows the wide variety of approaches that have been taken in diff erent parts of the world and refl ects the expansion and diversifi cation of perspectives and research questions. One constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. While relatively little has happened in some areas, a great deal has occurred in others. Rock art studies continue to go through a period of intense scientifi c and technological development, but at the same time - due to the problems of preservation and vandalism - it is crucial to educate local people and the young about the importance of this fragile heritage. Rock Art Studies: News of the World VI, like the previous editions in the series, covers rock art research and management all over the world over a five-year period, in this case, the years 2015 to 2019 inclusive. The current volume once again shows the wide variety of approaches that have been taken in different parts of the world and reflects the expansion and diversification of perspectives and research questions. One constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. While relatively little has happened in some areas, a great deal has occurred in others. Rock art studies continue to go through a period of intense scientific and technological development, but at the same time – due to the problems of preservation and vandalism – it is crucial to educate local people and the young about the importance of this fragile heritage. About the Editors Paul G. Bahn studied archaeology at Cambridge and wrote his doctoral thesis on the prehistory of the French Pyrenees. He then held postdoctoral fellowships at Liverpool and London, plus a Getty postdoctoral fellowship in the History of Art and the Humanities. Since the mid-80s, he has devoted himself to writing and editing books on archaeology and lecturing on numerous archaeological tours. His main speciality is prehistoric art, especially rock art of the world, most notably Palaeolithic art, as well as Easter Island. ; Natalie Franklin is an internationally renowned rock art specialist. She has published widely in academic journals, co-edited the previous three volumes of Rock Art News of the World and contributed chapters to the entire series. She has extensive experience in recording rock art and developing management plans for rock art sites. Natalie currently works as a cultural heritage consultant in Brisbane, Australia. ; Matthias Strecker is an educator and rock art expert. Both in Bolivia and internationally, Strecker has contributed signifi cantly to the knowledge, appreciation and conservation of rock art. He has carried out fi eldwork in Mexico, Bolivia and Peru and has published numerous studies of rock art in Latin America. Since 1987 he has been Secretary of the Sociedad de Investigación del Arte Rupestre de Bolivia (SIARB) and editor of its publications. Cover 1 Title Page 3 Copyright page 4 Contents Page 7 Contributors 9 Preface 13 Paul Bahn, Natalie Franklin and Matthias Strecker 13 New Developments in Pleistocene Art (2015–2019) 17 Paul G. Bahn 17 Scandinavia and Northern Europe (2015 – 2019) 34 Ulf Bertilsson, Christian Horn and Johan Ling 34 Archaeology of Late Prehistoric Images in Southern Europe: Research Agenda (2015-2019) 47 Primitiva Bueno Ramírez and Rodrigo de Balbín Behrmann 47 Rock art studies in the Alps (2015 – 2019) 66 Claudia Defrasne 66 What’s New in the Sahara? (2015-2019) 79 Jean-Loïc Le Quellec 79 Rock Art Research in Southern Africa (2015-2019) 95 Romain Lahaye 95 Rock Art Research in Arabia (2015-2019) 106 Charly Poliakoff 106 The North-West, the Urals and the Far East of Russia 117 Elena Levanova, Alexander Pakhunov, Nadezhda Lobanova and Yuri Svoisky 117 Rock Art in Western Central Asia (2015-2019) 129 A. E. Rogozhinskiy 129 Rock Art Studies in Mongolia (2015-2019) 142 Jamiyan-Ombo Gantulga and Tsagaan Turbat 142 Rock Art Research in India (2015-2019) 153 James Blinkhorn 153 Recent Developments in Rock Art Research in Southeast Asia (2015-2019) 162 Noel Hidalgo Tan & Victoria N. Scott 162 Recent Advances in China’s Rock Art Research 173 Ge Chao and Anni Jin 173 The Discovery of New Rock Art in Korea and its Characteristics (2015-2019) 181 Seog Ho Jang 181 What’s New in Research, Management and Conservation of Rock Art in Australia (2015-2019) 190 Natalie Franklin 190 Pacific Rock Art from 2015-2019: Local Research Trajectories and Synergistic Regional Themes and Trends 209 Rachel Hoerman 209 Recent Rock Art Studies in Canada 221 Dagmara Zawadzka 221 Rock Art Research in North America (2015-2019) 232 Angus R. Quinlan 232 Rock Art Research in Mexico (2015-2019) 238 Alma Vega, Carlos Viramontes, María de la Luz Gutiérrez, Francisco Mendiola, Sandra Cruz and Francisco Rodríguez (†) 238 New Rock Art Research in Central America and Maya Mexico (2015-2019) 258 Martin Künne, Philippe Costa, Priscilla Molina Muñoz and Eric Gelliot 258 Caribbean Rock Art Research (2015-2019) 271 Michele H. Hayward and Michael A. Cinquino 271 Advances In The Study Of Rock Art In Venezuela1 285 Pedro Rivas 285 Rock Art Studies in Brazil (2015-2019) 295 Andrei Isnardis and André Prous 295 Rock Art Research in Peru (2015-2019) 312 Rainer Hostnig and Liz Gonzales Ruiz 312 Rock Art Studies in Bolivia (2015-2019) 325 Matthias Strecker and Freddy Taboada 325 New Rock Art Territories in Northern Uruguay (2015-2019) 331 Leonel Cabrera Pérez 331 Looking Back to Move Forward: Rock Art Research in Argentina (2015-2019) 341 Dánae Fiore and Mara Basile 341 Rock Art in Chile (2015-2019) 356 Gloria Cabello, Daniela Valenzuela and Francisca Moya 356 Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions. This collection is devoted to providing a wide-ranging survey of new developments in rock art studies from all over the world. The topics reported on in this volume reflect an expansion and diversification of perspectives and research questions during the period covered, 1995 to 1999.