Rhetoric and Rhythm in Byzantium : The Sound of Persuasion

Rhetoric And Rhythm In Byzantium Takes A Fresh Look At Rhetorical Rhythm And Its Theory And Practice, Highlighting The Close Affinity Between Rhythm And Argument. Based On Material From Byzantine And Old Church Slavonic Homilies And From Byzantine Rhetorical Commentaries, The Book Redefines And Expands Our Understanding Of Both Byzantine And Old Church Slavonic Prose Rhythm. It Positions Rhetorical Rhythm At The Intersection Of Prose And Poetry And Explores Its Role In Argumentation And Persuasion, Suggesting That Rhetorical Rhythm Can Carry Across Linguistic Boundaries, And In General Aims To Demonstrate The Stylistic And Argumentative Importance Of Rhythm In Rhetorical Practice. Along The Way, It Challenges The Entrenched Separation Between Content And Style And Emphasizes The Role Of Rhythm As A Tool Of Invention And A Means Of Creating Shared Emotional Experience-- Introduction: Why Rhythm? -- Rhythm And Meter In Byzantine Eyes: Hellenistic Traditions And Byzantine Theory -- Between Prose And Poetry: Asianic Rhythms, Accentual Poetry, And The Byzantine Festal Homily -- Dirhythmia In The Byzantine Classroom -- Argument, Figure, And Rhythm -- Rhythm In Translation: Some Evidence From Old Church Slavic Homilies --conclusion: Why Recover Rhythm? --appendix A. Text Comparison: Corpus And Methodology -- Appendix B. Tables And Flow Charts. Vessela Valiavitcharska. Includes Bibliographical References (pages 220-240) And Index. "Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience"-- Provided by publisher "Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience"-- Résumé de l'éditeur Introduction: why rhythm? 1. Meter and rhythm in Byzantine eyes: Hellenistic traditions and Byzantine theory 2. Between prose and poetry: ’Asianic’ rhythms, accentual poetry, and the Byzantine festal homily 3. Dirhythmia in the Byzantine classroom 4. Argument, figure, and rhythm 5. Rhythm in translation: some evidence from Old Church Slavonic homilies Conclusion: why recover rhythm? Appendix A. Text comparison: corpus and methodology Appendix B. Tables and flow charts This book positions medieval Byzantine rhetorical rhythm at the intersection of prose and poetry and offers an analysis of its role in argumentation and persuasion. It also highlights little-known rhetorical theory and seeks to recover the importance of rhythm in rhetorical education in antiquity and the medieval period, and for rhetoric in general.