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Cover; Title Page; CONTENTS; PREFACE; INTRODUCTION; MARXIST THEORY IN PRACTICE; John Roberts, 'Art History's Furies'; Stephen F. Eisenman, 'The Political Logic of Radical Art History in California 1974-85: A Memoir'; Warren Carter, 'The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the1930s and 1940s'; Stewart Martin, 'Approaching Marx's Aesthetic: Or, What is Sensuous Practice?'; Matthew Beaumont, 'A Communion of Just Men Made Perfect: Walter Pater, Romantic Anti-Capitalism and the Paris Commune';From the beginning of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. Some of the most influential names in the field were active proponents of Marxist thought: Frederick Antal, Max Raphael, Arnold Hauser, Meyer Schapiro, T.J. Clark, to name just a few. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics, which began to dominate the subject. This came at a time when Marxism in general w. From The Early Decades Of The Twentieth Century Until The 1980s, Marxist Art History Was At The Forefront Of Radical Approaches To The Discipline. But In The Last Two Decades Of The Century And Into The Next, Marxist Art Historians Found Themselves Marginalized From The Vanguard By The Rise Of Postmodernism And Identity Politics. In The Wake Of The Recent Global Crisis There Has Been A Resurgence Of Interest In Marx. This Collection Of Essays, A Festschrift In Honor Of Leading Marxist Art Historian Andrew Hemingway, Brings Together 30 Academics Who Are Reshaping Art History Along Marxist Lines. The Essayists Include Matthew Beaumont, Warren Carter, Michael Corris, Gail Day, Paul Jaskot, Stewart Martin, Frederic J. Schwartz, Caroline Arscott, Steve Edwards, Charles Ford, Brian Foss, Tom Gretton, Alan Wallach, Michael Bird, Martin I. Gaughan, Barnaby Haran And Fred Orton, Among Others. Introduction. Towards A History Of The Marxist History Of Art / Warren Carter -- Marxist Theory In Practice. Art History's Furies / John Roberts ; The Political Logic Of Radical Art History In California 1974-85: A Memoir / Stephen F. Eisenman ; The Dialectical Legacies Of Radical Art History: Meyer Shapiro And German Aesthetic Debates In The 1930s And 1940s / Warren Carter ; Approaching Marx's Aesthetic: Or, What Is Sensuous Practice? / Stewart Martin ; A Communion Of Just Men Made Perfect: Walter Pater, Romantic Anti-capitalism And The Paris Commune / Matthew Beaumont ; What Remains Of Adorno's Critique Of Culture? / Norbert Schneider ; Aby Warburg And The Spirit Of Capitalism / Frederic J. Schwartz --^ Landscape, Class And Ideology. A Note On Aestheticizing Tendencies In American Landscape Painting 1840-80 / Alan Wallach ; Meaning, Change And Ambiguity In Canadian Landscape Imagery: Homer Watson And The Pioneer Mill / Brian Foss ; One Spectator Is A Better Witness Than Ten Listeners: Roger North, Making The Past Public / Charles Ford ; An Ever-recurring Controversy: John Thompson, William James Stillman And The Bootblacks / Steve Edwards ; Calaveras And Commodity Fetishism: The Unhallowed Supernatural In The Work Of Jose Guadalupe Posada / Tom Gretton ; Reading Ahab: Rockwell Kent, Herman Melville And C.l.r. James / Angela Miller ; William Morris, Ornament And The Coordinates Of The Body / Caroline Arscott --^ Marxism And The Shaping Of Modernism. Red Hashar: Louis Lozowick's Lithographs Of Soviet Tajikstan / Barnaby Haran ; Lu Marten And The Question Of Marxist Aesthetic In 1920s German / Martin I. Gaughan ; Experiment And Propaganda: Art In The Monthly New Masses / Rachel Sanders ; Stuart Davis And Left Modernism On The New York Waterfront In The 1920s / Jody Patterson ; Action, Revolution And Painting: Resumed / Fred Orton ; Erasure And Jewishness In Otto Dix's Portraint Of The Lawyer Hugo Simons / James A. Van Dyke ; The Nazi Party's Strategic Use Of The Bauhaus: Marxist Art History And The Political Conditions Of Artistic Production / Paul B. Jaskot --^ Marxism In A New World Order. Realism And Materialism In Postwar European Art / Alex Potts ; The Situation Of Women / Frances Tracey ; Scars On The Landscape: Doris Salcedo Between Two Worlds / Chin-tao Wu ; Realism, Totality And The Militant Citoyen: Or, What Does Lukacs Have To Do With Contemporary Art? / Gail Day ; Deartification This Side Of Art: Ideology Critique, Autonomy And Reporduction / Kerstin Stakemeier. Edited By Warren Carter, Barnaby Haran, Frederic J. Schwartz. Published In Association With The Department Of History Of Art, University College London. Includes Bibliographical References And Index. Cover Title Page CONTENTS PREFACE INTRODUCTION MARXIST THEORY IN PRACTICE John Roberts, 'Art History's Furies' Stephen F. Eisenman, 'The Political Logic of Radical Art History in California 1974-85: A Memoir' Warren Carter, 'The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the1930s and 1940s' Stewart Martin, 'Approaching Marx's Aesthetic: Or, What is Sensuous Practice?' Matthew Beaumont, 'A Communion of Just Men Made Perfect: Walter Pater, Romantic Anti-Capitalism and the Paris Commune' Norbert Schneider, 'What Remains of Adorno's Critique of Culture?'Frederic J. Schwartz, 'Aby Warburg and the Spirit of Capitalism' LANDSCAPE, CLASS AND IDEOLOGY Alan Wallach, 'A Note on Aestheticizing Tendencies in American Landscape Painting 1840-80' Brian Foss, 'Meaning, Change and Ambiguity in Canadian Landscape Imagery: Homer Watson and The Pioneer Mill' Charles Ford, '"One spectator is a better witness than ten listeners": Roger North, Making the Past Public' Steve Edwards, 'An "Ever-Recurring Controversy": John Thompson, William James Stillman and the Bootblacks' Tom Gretton, 'Calaveras and Commodity Fetishism: The Unhallowed Supernatural in the Work of José Guadalupe Posada'Angela Miller, 'Reading Ahab: Rockwell Kent, Herman Melville and C.L.R. James' Caroline Arscott, 'William Morris, Ornament and the Coordinates of the Body' MARXISM AND THE SHAPING OF MODERNISM Barnaby Haran, 'Red Hashar: Louis Lozowick's Lithographs of Soviet Tajikstan' Martin I. Gaughan, 'Lu Märten and the Question of a Marxist Aesthetic in 1920s Germany' Rachel Sanders, 'Experiment and Propaganda: Art in the Monthly New Masses' Jody Patterson, 'Stuart Davis and Left Modernism on the New York Waterfront in the 1930s'Fred Orton, 'Action, Revolution and Painting: Resumed' James A. van Dyke, 'Erasure and Jewishness in Otto Dix's Portrait of the Lawyer Hugo Simons' Paul B. Jaskot, 'The Nazi Party's Strategic Use of the Bauhaus: Marxist Art History and the Political Conditions of Artistic Production' MARXISM IN A NEW WORLD ORDER Alex Potts, 'Realism and Materialism in Postwar European Art' Frances Stracey, 'The Situation of Women' Peter Smith, 'Photography, Language and the Pictorial Turn' Chin-tao Wu, 'Scars on the Landscape: Doris Salcedo Between Two Worlds'Gail Day, 'Realism, Totality and the Militant Citoyen': or, What Does Lukács Have to Do with Contemporary Art? Kerstin Stakemeier, 'Deartification This Side of Art: Ideology Critique, Autonomy and Reproduction' NOTES ON THE CONTRIBUTORS A, B, C INDEX D, E, F G, H, I J, K, L M, N, O P, Q, R S, T, U V, W, X Y, Z Copyright.