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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art (Amsterdam Studies in the Dutch Golden Age)

جلد کتاب Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art (Amsterdam Studies in the Dutch Golden Age)

معرفی کتاب «Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art (Amsterdam Studies in the Dutch Golden Age)» نوشتهٔ Michael Zell، منتشرشده توسط نشر Amsterdam University Press در سال 2021. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making. Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe, and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republics vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making. Michael Zell. Includes Bibliographical References And Index. Electronic Reproduction. Baltimore, Md Available Via World Wide Web.
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