Religion and Popular Music: Artists, Fans, and Cultures (Bloomsbury Studies in Religion and Popular Music)

"Bob Dylan's brief overt involvement in Christianity, his Jewish background, as well as the use of biblical material in his works, have led to a continuing discussion among fans and critics regarding his relation to religion. This relation is here studied in the context of the "rock mass." This is a communion service, which is set to some form of popular music, in this case by Dylan. The material comes from Dylan masses in mainline Protestant churches in Scandinavia and North America. The chapter looks at stated reasons for using Dylan in church, the means through which Dylan's music is adapted to serve as liturgy, and at various non-verbal practices negotiating the balance between understanding the event in question as a divine service or as a concert. Through in-depth case studies, Religion and Popular Music explores encounters between music, fans, and religion. The book examines several popular music artists - including Bob Dylan, Prince, and Katy Perry - and looks at the way religion comes into play in their work and personas. Genres explored by contributing authors include country, folk, rock, metal, and Electronic Dance Music. Case studies in the book originate from a variety of geographic and cultural contexts, focusing on topics such as nationalism and hard rock in Russia, fan culture in Argentina, and punk and Islam in Indonesia. Chapters engage with the central issue of how global music meets local audiences and practices, and considers how fans as well as religious groups react to the uses of religion in popular music. It also looks at how they make these interactions between popular music and religion components in their own identity, community, and practice. Tapping into a vital and lively topic of teaching, research, and wider cultural interest, and employing diverse methodologies across musicians, fans, and religious groups, this book is an important contribution to the growing field of religion and popular music studies."--Bloomsbury Publishing. Cover 1 Contents 6 Acknowledgments 8 Introduction Andreas Häger 10 Part 1 Artists 18 1 Metaphors and Symbols in Popular Music as Exemplified inKaty Perry’s Music and Music Videos Adrian-Mario Gellel 20 2 CeCe Winans, Black Gospel Music, and the Ambivalence of Stardom Angela M. Nelson 38 3 Judas Priest and the Fury of Metal Redemption Brian Froese 56 4 The Art of Darkness: On Biblical Language in Ozzy Osbourne’s Solo Albums, 1980–2010 Michael J. Gilmour 74 Part 2 Fans 86 5 Consecrating an Extraordinary Being: Fan Culture among Gilda’s Followers in Argentina Eloísa Martín 88 6 God is in the House: Nick Cave, Religion, and Serbian Fandom Sabina Hadžibulić 104 7 I’m Your Messiah and You’re the Reason Why: Para-Religiosity in the Fandom around Prince Carla Schriever 116 Part 3 Cultures 130 8 My Pravoslavnye: Russkii rok, Orthodoxy, and Nationalism in Post-Soviet Russia David-Emil Wickström 132 9 “Can I Take My Dog with Me to Heaven?” Swedish Country Music and Religion Thomas Bossius 146 10 Punk and Religion in Indonesia Jim Donaghey 160 11 Dylan Goes to Church: The Use of Bob Dylan’s Music in Protestant Churches Andreas Häger 176 12 Theater in Search of a Storyline: The DJ as “Technoshaman” in the Digital Age of EDM Melanie Takahashi 194 Notes 210 Bibliography 248 Selected Discography 259 Contributor Biographies 261 Index 263