Refuge : An Unnatural History of Family and Place

"In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic."--Provided by publisher In her most original, provocative, and eloquently moving book since Refuge, Terry Tempest Williams gives us a luminous chronicle of finding beauty in a broken world. Always an impassioned and far-sighted advocate for a just relationship between the natural world and humankind, Williams has broadened her concerns over the past several years to include a reconfiguration of family and community in her search for a deeper understanding of what it means to be human in an era of physical and spiritual fragmentation.Williams begins in Ravenna, Italy, where "jeweled ceilings became lavish tales" through the art of mosaic. She discovers that mosaic is not just an art form but a form of integration, and when she returns to the American Southwest, her physical and spiritual home, and observes a clan of prairie dogs on the brink of extinction, she apprehends an ecological mosaic created by a remarkable species in the sagebrush steppes of the Colorado Plateau. And, finally, Williams travels to a small village in Rwanda, where, along with fellow artists, she joins survivors of the 1994 genocide and builds a memorial literally from the rubble of war, an act that becomes a spark for social change and healing.A singular meditation on how the natural and human worlds both collide and connect in violence and beauty, this is a work of uncommon perceptions that dares to find intersections between arrogance and empathy, tumult and peace, constructing a narrative of hopeful acts by taking that which is broken and creating something whole.From the Hardcover edition. In her most original, provocative, and eloquently moving book since Refuge , Terry Tempest Williams gives us a luminous chronicle of finding beauty in a broken world. Always an impassioned and far-sighted advocate for a just relationship between the natural world and humankind, Williams has broadened her concerns over the past several years to include a reconfiguration of family and community in her search for a deeper understanding of what it means to be human in an era of physical and spiritual fragmentation. Williams begins in Ravenna, Italy, where jeweled ceilings became lavish tales through the art of mosaic. She discovers that mosaic is not just an art form but a form of integration, and when she returns to the American Southwest, her physical and spiritual home, and observes a clan of prairie dogs on the brink of extinction, she apprehends an ecological mosaic created by a remarkable species in the sagebrush steppes of the Colorado Plateau. And, finally, Williams travels to a small village in Rwanda, where, along with fellow artists, she joins survivors of the 1994 genocide and builds a memorial literally from the rubble of war, an act that becomes a spark for social change and healing. A singular meditation on how the natural and human worlds both collide and connect in violence and beauty, this is a work of uncommon perceptions that dares to find intersections between arrogance and empathy, tumult and peace, constructing a narrative of hopeful acts by taking that which is broken and creating something whole. Williams (The Open Space of Democracy) travels to Ravenna, Italy, a town famous for its ancient mosaics, to learn a new language with my hands. Back home in Utah, Williams views the lives of a clan of endangered prairie dogs?a species essential to the ecological mosaic of the grasslands and the creators of the most sophisticated animal language decoded so far?through the rules of Italian mosaics. After intimate study of a prairie dog town at Bryce Canyon, her visit to 19th-century prairie dog specimens at the American Museum of Natural History segues, dreamlike, to a glass case of bones from the genocide in Rwanda, where Williams, overwhelmed by the death of her brother but knowing that her own spiritual evolution depended upon it, travels with artist Lily Yeh, who understands mosaic as taking that which is broken and creating something whole, to build a memorial with genocide survivors. The book, itself a skillful, nuanced mosaic (a conversation between what is broken... a conversation with light, with color, with form) uses this way of thinking about the world to convincingly make the connection between racism and specism and sensitively argues for respect for life in all its myriad forms. - Publishers Weekly 'Shards of glass can cut and wound or magnify a vision,'Terry Tempest Williams tells us.'Mosaic celebrates brokenness and the beauty of being brought together.'Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole. In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic. From the Trade Paperback edition. The Naturalist Author Of Refuge And An Unspoken Hunger Reflects On What It Means To Be Human, The Interconnection Between The Natural And Human Worlds, And How They Combine To Produce Both Tumult And Peace, Ugliness And Beauty. Terry Tempest Williams. Includes Bibliographical References (p. 410-413).