Reflecting senses : perception and appearance in literature, culture, and the arts

The series provides a forum for innovative, high-quality work in all fields of analytical philosophy. The volumes in this series are published in either English or German. Introduction Appearances and the Semiotics of Culture Suggestiveness or Interpretation: On the Vitality of Appearances From Maps to Cityscapes: Reactions to Modes of Spatial Representation What Is Wrong with Saint Peter’s? Or, Diderot, Analogy, and Illusion in Architecture Visual Perception and Verbal Representation in Eighteenth and Nineteenth Century Literature The Staging of the Gaze: Aesthetic Illusion and the Scene of Nature in the Eighteenth Century “Die Sinne triegen nicht”: Perception and Landscape in Classical Goethe Reflections in the Mirror: Wordsworth and Coleridge Wordsworth, Coleridge, and Illusion Seeking the Visible World: Wordsworth’s Real Illusions Sensory and Illusory Effects in Art, Music, and Dance The Death of the Artist and the Birth of Art History: Appearance, Concept, and Cultural Myth Instructive Games: Apparatus and the Experimental Aesthetics of Imposture Forked Tongues: Structural Illusions in Music Outside In: The Movement from Exterior to Interior Illusions in Dance Visual Metaphors and Textual Shadows The Selection of Pronouns in Spoken Language Production: An Illusion of Reference The Anthropological Persistence of the Aesthetic: Real Shadows and Textual Shadows, Real Texts and Shadow Texts Bibliography Primary Sources Secondary Sources Notes on Contributors List of Illustrations Index