خواندن رمبراند: فراتر از تضاد کلمه-تصویر (انتشارات دانشگاه آمستردام - مطالعات باستان‌شناسی آمستردام)

Reading Rembrandt questions the traditional boundaries between literary and visual analysis with close, side-by-side readings of some of the Dutch master’s works alongside paintings of the same era whose attribution is still debated. A new understanding of the role of visuality in our culture emerges, one that makes significant inroads, most particularly, for the study of gender in Rembrandt’s work. Demonstrating acute sensitivity to Rembrandt’s art, acclaimed scholar and author Mieke Bal gives new depth to an old master, a perspective with vast consequences for our views of gender, the artist, and the act of reading. reading rembrandt preface for the AAA-edition READING "REMBRANDT" CONTENTS ILLUSTRATIONS PREFACE INTRODUCTION BEYOND THE WORD-IMAGE OPPOSITION VISUAL RHETORIC: THE SEMIOTICS OF RAPE VISUAL STORYTELLING: FATHERS AND SONS AND THE PROBLEM OF MYTH BETWEEN FOCALIZATION AND VOYEURISM: THE REPRESENTATION OF VISION RECOGNITION: READING ICONS, SEEING STORIES TEXTUALITY AND REALISM SELF-REFLECTION AS A MODE OF READING BLINDNESS OR INSIGHT? PSYCHOANALYSIS AND VISUAL ART BLINDNESS AS INSIGHT: THE POWERS OF HORROR DEAD FLESH, OR THE SMELL OF PAINTING NOTES REFERENCES INDEX OF NAMES AND TITLES INDEX OF TERMS "Reading Rembrandt: Beyond the Word-Image Opposition explores the potential of an interdisciplinary methodology between visual art and literature. In a series of close analyses of works by "Rembrandt"--works as we see them today, through all the ways of seeing and commenting that precede -- and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting."--Back cover