چشم سریع. ۲. ویرایش دوم بازنگریشده
Rapid eye. <Vol.> 2. 2nd rev. ed
معرفی کتاب «چشم سریع. ۲. ویرایش دوم بازنگریشده» (با عنوان لاتین Rapid eye. <Vol.> 2. 2nd rev. ed) نوشتهٔ Simon Dwyer (editor)، منتشرشده توسط نشر Annihilation Press در سال 1992. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Artists hanging dead dogs in railway tunnels, religious icons floated in urine, police raids on writers' homes; RAPID EYE reflects the fact that the millenial madness is breaking over our heads, ready for the Reckoning... Part One: Twilight Language - Ian Blake Caught In The Act - an interview with Paul Mayersberg - Paul Buck Lobsang Rampa: Prolific and Problematical - Kenneth Rayner Johnson Nihilist Cinema -- Part One: The Evil Cameraman - Paul Anthony-Woods Nihilist Cinema -- Part Two: Buttgereit, Der Todesking - Paul Anthony-Woods H.P. Lovecraft -- An Avenue - Ian Blake Brain Death - Colin Wilson Brian Crozier, The CIA, Publishing, Covert Government and Cold War Propaganda - Nick Toczek The Anatomy of Utterance - The Poetry and Performance of Aaron Williamson - Richard Dyer Carlos Castaneda - Pete Scott Behavioural Cut-ups And Magick - Genesis P-Orridge Alex Sanders: Shaman Or Showman? - Leroy Green Last of the Literary Taboo Breakers - Paul Anthony-Woods It's A Dog's Life: The Go, Go, Go World of Mondo Movies - David Flint What it's like to be a Neoist - Istvan Kantor The Space Of The Other Bisexuality - With Reference To Hélène Cixous' Angst - Adèle Olivia Gladwell Alexandra The Great: France's Lady Lama Mme. Alexandra David-Néel - Kenneth Rayner Johnson Part Two: In The Jungle of The Plague Yard - Simon Dwyer Painters, cyberpunks, dog-boys, mad scientists, occultists, neoists, performance artists, film-makers, writerss, leopard-girls and voodoo horsemen. Hacking into the new virtual geography, where time and space do not exist, but where thought survives, as in art. In this age of transition and sensory overload, new ideas and organisations of perception form. To be marginalised, misunderstood, ignored, reviled. But melancholy can fuel creation. Imagination can replace fantasy. Hope can overcome fear. Different interpretations of the past and fresh approaches to art and technology can ensure the evolution and refinement of the perception of everyday life. In the virtual universe, there is no death.
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