Radiohead and the Resistant Concept Album: How to Disappear Completely (Profiles in Popular Music)

How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts’s analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band’s standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band’s earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-album/progressive-rock tradition and shows how both resist that tradition. Unlike most critics of Radiohead, who focus on the band’s lyrics, videos, sociological importance, or audience reception, Letts focuses on the music itself. She investigates Radiohead’s ambivalence toward its own success, as manifested in the vanishing subject of Kid A on these two albums. Explores The Motivations Behind The Change In British Rock Band Radiohead's Music From Guitar-driven Base Layered With Complex Production Effects To An Articulation Of The Themes Of Alienation And Anticapitalism In Kid A And Amnesiac. Introduction -- Back To Save The Universe : The Reception Of Ok Computer And Kid A -- Everything In Its Right Place : Musical Elements In Kid A -- Cut The Kids In Half : The Second Death Of Kid A -- After Years Of Waiting, Nothing Came : Amnesiac As Antidote -- I Might Be Wrong : Amnesiac And Beyond -- We Are The Dollars And Cents : Radiohead As Commodity. Marianne Tatom Letts. Includes Bibliographical References, Discography And Index. Searching for the disappearing subject in Kid A and Amnesiac