Racial Blasphemies: Religious Irreverence and Race in American Literature (Literary Criticism and Cultural Theory)

William Faulkner, James Baldwin, Flannery O'Conner, and Paule Marshall are among numerous influential American writers who tended to be irreverent, if not blasphemous, in their fiction. But rather than curse God, these authors cursed the racial hierarchies that too cleanly divide white and African American races in contemporary U.S. politics and culture. "Racial Blasphemies," using critical race theory and literary analysis, charts the tense, frustrated religious language that saturates much twentieth-century American literature. Michael Cobb argues that we should consider religious language as a special kind of language - a language of curse words - that furiously communicates not theology or spirituality as much as it signals the sheer difficulty of representing race in a non-racist manner on the literary page. Painfully Obvious : Nakedness And Religious Words In James Baldwin's Go Tell It On The Mountain -- Arresting Whiteness : Religious History And Local Color In Flannery O'connor's Wise Blood -- She Was Something Vulgar In A Holy Place : The Resanguination Of The Word In Paule Marshall's Brown Girl, Brownstones -- Actual Sacrilege : The Blasphemous Narration Of Time And Race In William Faulkner's Light In August. Michael L. Cobb. Includes Bibliographical References (p. 135-141) And Index. Using critical race theory and literary analysis, this book charts the tense, frustrated religious language that saturates much twentieth-century American literature