Race and White Identity in Southern Fiction : From Faulkner to Morrison

White southern writers are frequently associated with the racism of blackface minstrelsy in their representations of African American characters, however, this book makes visible the ways in which southern novelists repeatedly imagine their white characters as in some sense fundamentally black. Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal that being merely Caucasian is insufficient to claim Southern Whiteness--Résumé de l'éditeur Front Matter....Pages i-xix Artificial Negroes, White Homelessness, and Diaspora Consciousness....Pages 1-16 William Faulkner, Whiteface, and Black Identity....Pages 17-61 Flannery O’Connor, (G)Race, and Colored Identity....Pages 63-91 John Barth, Blackface, and Invisible Identity....Pages 93-125 Dorothy Allison, “Nigger Trash,” and Miscegenated Identity....Pages 127-143 Black Writing and Whiteface....Pages 145-168 Back Matter....Pages 169-194