Pure Filth: Ethics, Politics, and Religion in Early French Farce (The Middle Ages Series)

As Noah D. Guynn observes, early French farce has been summarily dismissed as filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation--trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion. Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater--parody and satire, imitation and exaggeration, cross-dressing and masquerade--to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate. Cover......Page 1 Pure Filth......Page 2 Title......Page 4 Copyright......Page 5 CONTENTS......Page 6 A Note on Sources......Page 8 Introduction. The Many Faces of Farce......Page 10 Chapter 1. The Wisdom of Farts: Ethics and Politics, Farce and Festive Comedy......Page 28 Chapter 2. A Justice to Come: Messianism and Eschatology in Maistre Pierre Pathelin......Page 78 Chapter 3. Sacraments and Scatology, Faith and Doubt: Andrieu de La Vigne’s Mystère de Saint Martin and Its Farces......Page 118 Chapter 4. Making History: Misbehaved Women, Well-Behaved Women, and the Sexual Politics of Farce......Page 160 Afterword. Against Protoforms......Page 228 Notes......Page 236 Works Cited......Page 244 Index......Page 262 Acknowledgments......Page 268 "This book seeks to reclaim the aesthetic and social complexities of French farce by focusing on thematic content related to ethics, politics, and religion"-- Provided by publisher