Public Ethnomusicology, Education, Archives, & Commerce: An Oxford Handbook Of Applied Ethnomusicology, Volume 3 (oxford Handbooks)

Public Ethnomusicology, Education, Archives, and Commerce is the third of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. It offers an introduction to applied ethnomusicology, and explores the role of ethnomusicology in music education, public folklore, archival and collection work, and the commercial music industry. Cover Public Ethnomusicology, Education, Archives, and Commerce Copyright Contents List of Figures and Tables List of Contributors About the Companion Website Part I An Introduction to Applied Ethnomusicology 1. Applied Ethnomusicology: A Descriptive and Historical Account 2. Applied Ethnomusicology in the Global Arena 3. An Introduction to the Chapters Part II Education 1. Strategies and Opportunities in the Education Sector for Applied Ethnomusicology 2. Sounds Humane: Music and Humanism in the Aga Khan Humanities Project 3. Intersections Between Ethnomusicology, Music Education, and Community Music Part III Agencies 4. Archives and Applied Ethnomusicology 5. The Applied Ethnomusicologist as Public Folklorist: Ethnomusicological Practice in the Context of a Government Agency in the United States 6. Applied Ethnomusicology in China: An Analytical Review of Practice 7. The Problem and Potential of Commerce Index The seven ethnomusicologists who contributed to this volume discuss the role and impact of applied ethnomusicology in a variety of public and private sectors, including the commercial music industry, archives and collections, public folklore programs, and music education programs at public schools. Public Ethnomusicology, Education, Archives, and Commerce is the third of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.