Prophets, publicists, and parasites : antebellum print culture and the rise of the critic

"Print culture expanded significantly in the nineteenth century due to new print technologies and more efficient distribution methods, providing literary critics, who were alternately celebrated and reviled, with an ever-increasing number of venues to publish their work. Adam Gordon embraces the multiplicity of critique in the period from 1830 to 1860 by exploring the critical forms that emerged. Prophets, Publicists, and Parasites is organized around these sometimes chaotic and often generative forms and their most famous practitioners: Edgar Allan Poe and the magazine review; Ralph Waldo Emerson and the quarterly essay; Rufus Wilmot Griswold and the literary anthology; Margaret Fuller and the newspaper book review; and Frederick Douglass's editorial repurposing of criticism from other sources. Revealing the many and frequently competing uses of criticism beyond evaluation and aesthetics, this insightful study offers a new vision of antebellum criticism, a new model of critical history, and a powerful argument for the centrality of literary criticism to modern life"-- Provided by publisher Cover 1 Title Page 4 Copyright 5 Contents 6 Acknowledgments 8 Introduction: The Critic in the Age of Industrial Print 14 Chapter 1. Cutting Corners with Emerson: Quarterly Reviews and Intellectual Culture 49 Chapter 2. Anthology Wars: Rufus Griswold and the Compilation as Literary History 83 Chapter 3. Reviewers Reviewed: Poe, Monthly Magazines, and the Critical Vocation 130 Chapter 4. Black, White, and Read All Over: Margaret Fuller and the Newspaper Book Review 174 Chapter 5. Slavery Reviewed: Uncle Tom’s Cabin, Frederick Douglass, and the Politics of Critical Reprinting 224 Coda: From the Steam Press to Amazon.com: Critical Forms for the Twenty-First Century 277 Notes 292 Index 330 Back Cover 352