Profane Imagery in Marginal Arts of the Middle Ages (Profane Arts of the Middle Ages) (Profane Arts of the Middle Ages)

" Table of Contents: Introduction - Malcolm Jones, Preface - Elaine C. Block, Editorial - Hugh Harrison, Technical Aspects of the Misericord Profane Imagery on Misericords and Lead Badges Charles Tracy, Misericords as an Interpretative Tool in the Study of Choir Stalls - Elaine C. Block, Misericords and the World of Bruegel - Christa Grössinger, Tutivillus - M. A. Hall, Where the Abbot Carries Dice: Gaming-Board Misericords in Context - S. J. F. S. Philips, Flying Low Down Under: Representations of Winged Mammals, Fowl, and Birds on English Misericords - Terry Pearson, The Mermaid in the Church - Jennifer Fellows, Romance among the Choir Stalls: Middle English Romance Motifs on English Misericords - Paul Hardwick, Misinterpretations in the Margins - Stefanie Stockhorst, Passionate Pilgrims: Secular Lead Badges as Precursors of Emblemata Amatoria Profane Imagery in other Marginal Media Naomi Reed Kline, Obscenity as the Woodworker's Last Laugh - Diane G. Scillia, Looking for Fun in All the Wrong Places: Humour and Comedy in Moralizing Prints - Walter S. Gibson, A Sacred Text Profaned: Seven Women Fight for the Breeches - Sylvie Bethmont-Gallerand, Iconographie des charniers, des ossuaires et des aîtres à travers la France médiévale - Silke Meyer, An Iconography of Shame: German Defamatory Pictures of the Early Modern Era - Mark P. McDonald, The Lost Print Collection of Ferdinand Columbus (1488-1539) The Marginal Arts in the Mainstream Brian J. Levy, Screening in the Middle Ages: Costumes and Objects as Medieval Signifiers in The Adventures of Robin Hood (1938) - Frédéric Billiet, Diabolus in musica dans les stalles médiévales: significations du désordre musical - Malcolm Jones, Review of Averting Demons by Ruth Mellinkoff - Sylvie Bethmont-Gallerand and Elaine C. Block, Resumés in French and English Appendix / List of photographs by site The Authors 20040713 " Front matter (“Contents”, “Preface”, “Editorial”), p. i Technical Aspects of the Misericord, p. xix Hugh Harrison Misericords as an Interpretative Tool in the Study of Choir Stalls, p. 3 Charles Tracy Misericords and the World of Bruegel, p. 21 Elaine C. Block Tutivillus, p. 47 Christa Grössinger Where the Abbot Carries Dice: Gaming-Board Misericords in Context, p. 63 M. A. Hall Flying Low Down Under: Representations of Winged Mammals Fowl, and Birds on English Misericords, p. 83 S. J. F. S. Philips The Mermaid in the Church, p. 105 Terry Pearson Romance among the Choir Stalls: Middle English Romance Motifs on English Misericords, p. 123 Jennifer Fellows Misinterpretations in the Margins, p. 143 Paul Hardwick Passionate Pilgrims: Secular Lead Badges as Precursors of Emblemata Amatoria, p. 157 Stefanie Stockhorst Obscenity as the Woodworker’s Last Laugh, p. 185 Naomi Reed Kline Looking for Fun in All the Wrong Places: Humour and Comedy in Moralizing Prints, p. 199 Diane G. Scillia A Sacred Text Profaned: Seven Women Fight for the Breeches, p. 221 Walter S. Gibson Iconographie des charniers, des ossuaires et des aîtres à travers la France médiévale, p. 239 Sylvie Bethmont-Gallerand An Iconography of Shame: German Defamatory Pictures of the Early Modern Era, p. 263 Silke Meyer The Lost Print Collection of Ferdinand Columbus (1488–1539), p. 285 Mark P. McDonald Screening the Middle Ages: Costumes and Objects as Medieval Signifiers in The Adventures of Robin Hood (1938), p. 303 Brian J. Levy Diabolus in musica dans les stalles médiévales: significations du désordre musical, p. 315 Frédéric Billiet Review of Averting Demons by Ruth Mellinkoff, p. 339 Malcolm Jones Resumés in French and English, p. 363 Sylvie Bethmont-Gallerand, Elaine C. Block Back matter (“Appendix / List of photographs by site”, “The Authors”), p. 413 PROFANE IMAGERY ON MISERICORDS AND BADGES R. Mellinkoff; The Power of Sexual and Scatological Display E. C. Block; Misericords and the World of Bruegel C. Grossinger; Tutivillus M. Hall; Where the Abbot Carries Gaming Board Misericords in Context T. Pearson; The Mermaid in the Church J. Fellows; The Representations of Middle English romances on English Misericords C. Tracy; Misericords as an Interpretive Tool for the Study of Choir Stalls J. Koldeweij; Iconography of Dutch Misericords and Pilgrim Badges S. Stockhurst; Passionate theb Forms and functions of Late Medieval Lead Badges PROFANE IMAGERY IN OTHER MEDIEVAL AND MODERN MEDIA N. Reed Kline; Obscenity as the Woodcarver's Last Laugh D. Scillia; Humor and Comedy in Moralizing Prints W. S. Gibson; A Sacred Text Profaned S. Bethmont-Gallerand; Atres medievales en Normandie S. Meyer; The Iconography of Infamy M. McDonald; The Importance of the Columbus Print Inventory S. Wells; Representations of Winged Animals, Fowl and Birds in Medieval England B. J. Levy; The Middle Ages Goes to the objects and costumes as medieval signifiers in "The Adventures of Robin Hood" SACRED AND PROFANE MUSIC IN THE CHOIR F. Billiet; Musique et Disordre dans les stalles medievales